Africa image four. I am near done, so I wanted to push this image out. The large violet and blue piece of wood is my interpretation of Mount Kilimanjaro as part of this artwork’s theme.
The rest of the artwork, displays even more my interpretation of the story of the lyrics and the musical theme of the song, Africa.
Scott Von Holzen
Previous early new year paintings have anticipated directional changes in style to come in the new year. Africa continues that trend with the added incentive that it will be my submission for the local library juried show, this April. For 2019 the library is celebrating its 40th Art West exhibition. Last year I entered the wonderful In The Mood, which until today was the header picture for this blog. That artwork was not accepted. That surprised me. What was and am I missing? I suspect that same result with this years Africa submission, because this is a “celebration” year for the Library. That means, and this is only my sense, that the entry competition will be strong with a prejudice tilted to the popular and known local artists. My hope lies with the two experienced artists doing this years judging. One of them may will have a momentary Art insight with the independence to invite me. They may see Africa as I do as a leading contemporary artwork, not just locally, but everywhere. If nothing happens, maybe they will have the respect to email my rejection, without my requesting. Otherwise no regrets, I still will have a great Artwork to start to a new year.
This third image shows the upper and lower music mounted to the background. Drilling holes and screwing canvases together brought back memories of Vivaldi’s The Four Seasons Artworks, and the care needed to support and align canvas parts correctly. I had the easier option to attach the top and bottom canvases to the top and bottom edges of the background, but that looked too two-dimensional. The top section theme is the night sky and the day with rain falling. The lower music color theme is the Serengeti, along with the eventual addition of mount Kilimanjaro.
During our local Art association Christmas party, Sandra an artist, who had exhibited along side me in a fall art show, suggested that to increase the interest in my music paintings, that I could take a song like Blue Moon, and paint that as a landscape with a blue moon. Although her thinking had merit I felt a little taken back. I did not tell her that most of my artworks already include colors, and design aspects related to the music, or that if I did paint the song Blue Moon, a blue moon would be certainly be a visual point of interest, along with other shades of acrylic blues. I did thank her politely, and turned away, stunned that I had nothing else to say. Only now do I understand my silence: I have never had to defend my artwork to strangers. Up to that Christmas party moment no one, beyond close family and my first CVA meeting in Wausau, over the last thirteen years, have ever challenged the merits of my art. Sandra, was a big surprise, and a come to Jesus moment.
For now here are two examples of this art connecting paint to flow. This is a an image of Waylon’s guitar and the artwork Waymore’s Blues.
Another example of Sandra, and her Blue Moon effect, take look at George Harrison’s guitar and the artwork My guitar gently weeps:
Scott Von Holzen
Post 578
This second staged image of Africa, shows the music laid out on the background. In the past I would build these artworks one section or piece at a time, and then mount what I had to the background before moving on. With this artwork, similar to the Christmas painting, I am constructing and painting all the parts of the music before attaching anything to the background. This saves time, but doing all the construction at once can be tiresome, repetitive, and show little progress. Having all the pieces available, does cut the stress of making sure everything fits in predefined background. What stays the same, and is consistent from the very first music artwork, is that I add the music to the background from left to right.
I mention in my last blog entry, the 29th Annual Midwest Seasons exhibition, for which I submitted this years Christmas painting. I waited all week of December 10th, their timeline, for a notification. Finally, on Friday afternoon I emailed the CVA in Wausau to ask for an update. Surprisingly, I receive a quick response.
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“Dear Scott,
We would like to thank you for submitting your artwork for the 29th Annual Midwest Seasons exhibit. We had an outstanding collection of entries this year with over 200 images for the juror to review. We were greatly impressed by the amount and quality of all of the submissions.
We regret to inform you that the juror did not select your entries for the exhibit. We hope you will continue to submit work for future competitive exhibits, as the juror changes every year. Each juror has a unique vision for the show and your artwork may be viewed differently by our next juror.
We hope you will join us for the Opening Gallery Gala & Awards Reception for the 29th Annual Midwest Seasons exhibit on January 18th, 2019 from 5 to 7pm.
Thank you for submitting your artwork and for supporting the Center for the Visual Arts.
Kindest regards,”
x xx x x x x x x x
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I take all these type of rejections as a sign that I am either ahead of my time, and not understood, or that what I am doing is not art in the Juror’s mind. I have not yet received my first acceptance, so I don’t know which way to lean. The fact that none of rejections ever come with an explanation, makes it impossible to learn how the Contemporary Art World works. I may eventually make my way, which will require even more determination, time, and luck to stay, for according to the Eagles there will always be a new kid in town.
Scott Von Holzen
aRT iN mUSIC