Rhapsody in Blue Image 2

•08/16/2018 • Leave a Comment


For Rhapsody in Blue, I am following my current practice of building the artwork in sections off of the canvas frame.  In image two you can see the seven sections that compose this work.  Each part is carefully constructed so that when added to the artwork everything aligns.

What makes it practical to create these artworks this way is that I have all the beams parallel the frame of the artwork. This removes a common style of sheet music, where the beam changes it angle based on the up or down positioning of the flow.

I have always depicted accurately the up and down flow of the artwork. Breaking these artworks in sections has me thinking of  Cubism.   I would like to find a way to allow the artwork to still flow from left to right but in a lot loser, and disconnected format that still represents the music I am portraying.

Scott Von Holzen

 

S_V_H Rhapsody in Blue image 1

•08/11/2018 • Leave a Comment

Rhapsody in Blue first image may be a little strange-looking considering it is long and narrow with the main subject matter above the framework of the canvases.  Right now this artwork is 85 inches long by 16 inches high.  I am seeing a lot of challenge ahead because of this unusual configuration. Luckily, I have a copyright free version of the music so that will be attached to this artwork.  Although most of the music runs together and includes a lot of orchestration I did find a small clarinet solo for this artwork that begins and ends nicely.

Here is Rhapsody in Blue from the Disney movie Fantasia 2000. The music this artwork is portraying is from 4:14 to 4:18:

Thinking I have gone to far,  I am backing off of the fairly wide and random use of color seen in my two previous Mozart works, Rondo Alla Turca, and Serenade No. 13.   I went in that direction after seeing this trend in commercial and local artists that got me thinking about the Color Field painters. The problem I am now realizing is that there are a lot of loud looking and disjointed use of solid colors in today’s art.  I see this as not advancing the early great colorist like  Mark Rothko, Frank Stella, Morris Louis, and Piet Mondrian, What I am feeling is that this type of art is generally boring and uninspired,  and often visually devaluing color.  Generally, I do not like mural painting, but for all its prettiness, I eventual went from very colorful to being dismissive of this 2018 mural image located downtown:

Those feelings led me to the realization that the current crop of in the style of color-field artists are not getting their inspiration from Art history,  but instead from baby toys:

That leads me to this totally over the top mural by this seeming respected street artist Hense:

Still, the kid lives on: the bigger the Crayola box the more crayons and colors to surprise. But I am moving on with the help gained from my experience at the Minnesota Marine Art museum in Winona.  That trip has given me the incentive to revisit the fundamental reasons for color in art.  By taking a closer look at how the past masters in art handled color, maybe I can find a new direction.  Even a hint of an idea could offer an interesting twist on the color blue,  that is Rhapsody in Blue.

Scott Von Holzen

 

S_V_H Mozart Serenade No. 13 Final Image

•08/06/2018 • Leave a Comment

Summer can be busy and that may be the reason I forgot to post this final image of Mozart’s Serenade.  Besides not posting this image earlier I also forgot to create a video demonstrating the music that is part of this artwork.  That happened because I wanted to add this artwork to a show of my recent works at our local gallery, Artisan Forge.

This is the second of my works, Rondo Alla Turca was the first, to have the music built into the artwork. If you look at the lower left of the above final image there is a red button to play the music that represents this artwork. Top to bottom on this forward panel on display through this month of August, are the artworks, Runnin’ Down a Dream, The Mozart Serenade, In The Mood and my favorite polka, Polka, POLKA! artwork. In the back display, the long green and tan artwork on display for the first time, Mr Brightside, I painted in 2016.

I have mentioned that the use of a lot of solid bright colors on this work and the earlier Rondo Alla Turca are very similar.  I hope to change that trend starting with my current project Rhapsody in Blue.  I plan on pulling back on the miscellaneous, splish, splash, use of solid colors.  One  reason for making this change, is that too many solid colors placed randomly on an artwork, lessens the value, and impact, of the adjacent colors. I will explain my decision to change direction, and why so quickly,  in my next blog entry. For now,  if you wish to buy this amazing bright-colored Mozart artwork the price is a reasonable $800.00 at the local Artisan Forge gallery.

Scott Von Holzen

 

 

S_V_H Mozart Serenade No. 13 Image 2

•07/17/2018 • Comments Off on S_V_H Mozart Serenade No. 13 Image 2

This artwork carries on the freer use of color and design that originated with the last two works, the Art Deco inspired Vogue and the brightly colored Mozart’s Rondo Alla Turca.  What makes this Serenade different is that I moved the music to the center of the stems. That technique first appeared in the artwork Liechtensteiner Polka. In the polka project having the music centered in the middle of the stems made sense because of the accordion bellows referenced in the shape of the stems.  In this artwork I centered the music for the reason that I wanted to break another sheet music rule of aligning the music along the edges of the stems.  This change had no affect on the flow of the artwork, the foundation of this art style.

This Serenade then follows the design of Rondo Alla Turca  by using a small spacer to connect the music to the stems so that the music is at different levels based on the changing heights of the stems.  This is also a change from earlier artworks where I kept the stems separated from the music or their connection diminished as much as possible. For this Serenade allowing the music to flow not only up and down across the horizontal, but also up and down the depth of the artwork, makes this representation of Mozart’s Serenade closer to the visual representation of the sounds of the music.

By moving the music away from the edges of the stems I did create an interesting possibility.  This artwork could be viewed as having the look of different flavored lollipops. To take this further it is easy to see the music in the Liechtensteiner Polka artwork as ice cream cones. Yes, I have come a long ways with even further to go.  Until the next big idea comes along, it looks for now, that the treat look is in vogue.

Scott Von Holzen

S_V_H Mozart Serenade No. 13

•07/07/2018 • Comments Off on S_V_H Mozart Serenade No. 13

This first image of this popular Mozart musical piece does not show how complicated this project has become.  The original idea for this serenade was to create another mini type artwork. That would mean a simpler time-saving project to produce an easy to reproduce artwork. That did not happen. This work started on June 25th, and from that day on I this project has challenged my decision-making process. Every step forward has led to a step back to fix issues. The worse example of my obvious poor planning came over two weeks  into this project.

The original design of the artwork was to have a 4 by 6 canvas on the left side and the larger 6 by 8 inch canvas on the right side. After several attempts to glue down the first few notes, I realized that I had forgotten about the music box that was too big to hide behind the 4 by 6 canvas.  Although,  I had created and painted all the needed pieces of the music, I also forgot to make a note to hold the push button.  My concerned about my timeline with this artwork,  probably caused me to push ahead to quickly.  Reality hit when I realized I had no option to put the music box near the music note I needed to change for a push button.  That lead to the my only time-saving option, which was to remove my music progress, so I could then flip the artwork around to use the 6 by 8 canvas to hide the music box.

This artwork represents the first four bars of this famous Mozart music:

With this mini artwork I can see that I am under the influence of the earlier artwork, also a Mozart piece, Rondo Alla Turca.  In past mini artworks my notes would be all one color and the stems all a gray, but with this project it is all about color diversity.  With all my other mini artworks I  restricted my pallet to save time knowing that even small original artworks can take a week and more to complete.  With this Mozart,  my quickly involving style, and its influence, made it difficult to save decision-making and construction time. I should have realized that would happen once I lengthen this artwork.  To accommodate more of the music I pushed this artwork beyond the two foot limit that works best for a mini artwork.  That resulted in a  serenade that has evolved into a major mini artwork that is no longer a cost and time-saving mini artwork.  Time, that may be an underlying issue.  This art style is evolving quickly, which requires me to solve new issues with each artwork.  Maybe, this would not be an issue if I was in my twenties, but it certainly is as I near seventy.  So much music to paint. So much Time to live.

Scott Von Holzen

 

S_V_H Mozart Alla Turca image 4

•06/18/2018 • Comments Off on S_V_H Mozart Alla Turca image 4

This is a work-in-progress image that I sent along with pictures of Vogue and Like a Rock, for consideration, by the Pablo Inaugural Art Exhibition. Today is the deadline.  To finish this project I still need to add a Trill, and repaint, once again, a couple of the beams located along the bottom. After that there remains some touch up and cleaning to do. Finally, I will have to find a place for the signature.

Here is that short video that was part of the submission that features the round red push button used to play the music.

The video makes this artwork look smaller than its actual size which is almost seven feet in length, and requires two people to move it safely around.

Scott Von Holzen

S_V_H Mozart ‘Rondo Alla Turca’ image 3

•06/17/2018 • Comments Off on S_V_H Mozart ‘Rondo Alla Turca’ image 3

Where did I get the idea that 230 year old Classical Music needed to be painted black and brown. Maybe it is from looking at 200-year-old Mozart manuscripts. This music by Mozart is also known as the Turkish March, the English translation of Alla Turca.   Actually,  I decided to use brighter colors once I listened to the astonishing speed of this music.  I should have known that Rondo refers to music that is to be played fast, maybe really fast.  For example here is a video from the Summer Night Concert 2014 with The Vienna Philharmonic with Lang Lang on the piano:

I made the choice of colors quickly because of the tight production schedule with this artwork.   I picked blue to start this music.  I than move up in intensity to the color red, and then back down to end with a light green.  This artwork has a random look and placement to the colors, and again, that is because I needed to move along. Where needed I will adjust on the fly.  So far I am also not feeling or seeing a personality in this artwork, which is disconcerting, considering how major this painting is.  What that means is that I have no straight path to complete this work.  That also means everything is up in the art and that I will be making some bad choices that I either live with or change. Change is always my first priority.  So it goes, and so will I.

Scott Von Holzen