This art style is changing. I have always had a thing for writing influenced my Ernst Hemingway in particular. I have always had a connection to poetry starting in my college days. Those favorites were Robert Frost, and E. E. Cummings. Of course other writers and other poets have also influenced me. For example when I say Ansel Adams is my mentor or my
To document this art’s journey here is the summary of my conversation with Mr. Brightside and our discussion about the draft lyrical Verse for Rolling.
“Rolling in the Deep — Finding the Bridge (Scott the chief editor edited this final summation)
While working on a Lyrical Verse for my artwork based on Adele’s Rolling in the Deep, I found myself in a balancing act. The poem belongs to me, yet I need to include words from the original song to help connect the poem back to its source.
I am not interested in repeating Adele’s meaning. I want those same words to carry there own meaning, one that has nothing to do with the music itself.
Quickly I realized this lyrical verse path is exactly what I have been falling with my artwork from the beginning.
I know it is not my music.
The song already exists.
The lyrics already exist.
The sheet music already exists.
The role of the poem is not to change the songs meaning, but to discover what else they might become.
Perhaps that is why these Lyrical Verses have become important to me. The artwork, the music, and the poem are all connected, yet each asks the visitor to enter through a different door.
My path forward is the one finding the balance between what I want to say and what the visitor is able to discover for themselves.
(Mr. V the chief editor edited this final summation)”
Here are the words to the Lyrical Verse for the artwork Rolling in the Deep:
Rolling in the Deep
Scars in the depth of despair.
I was not aware.
Scars now crystal clear—
started the fire in our hearts.
I still can’t help feeling,
reaching a fever pitch.
How was I to know
the sorrow of your love.
That kept me thinking,
we had it all.
Even when I was laid bare,
Underestimating
what you would do.
What —
no story told,
yet mine sure won’t be shared.
Even they, kept me thinking,
bringing you out of the dark,
to find what you looked for,
Leaving me breathless,
knowing the fire in your heart.
Rolling deep,
tears falling,
you played it
to the beat,
to the beating.
And yet I can’t help feeling,
And yet we could’ve had it all.
And yet.
it all
it all
it all
all.
My comments on adding a lyrical verse. From the next project onward here is my guide for a new project. Always, out of nowhere, when a melody, a verse, a line, a word, a musical moment in a song that I have probably heard many times before, suddenly that song attaches to me, and the project has begun. Of course, I need sheet music that I buy from MusicNotes, although I do have many sheet music books. Here is the change to this process. The building of these artworks has evolved over 20 years, with many of the steps refined and added to. I am adding this step. From now on when I choose a song with lyrics and there is available sheet music, I will then document in a lyrical verse my feeling toward this music, even before I start what once was my first major step, creating a one and one-half minutes cover music. The verse for a new song, I have found already, will soon take on a life of its own, in that I find myself focusing on one idea out of maybe many ideas of why I chose this music. Right now,with these five already finished or near finished artworks, I feel these early verses I have put together are afterthoughts. That means I do not remember the exact one feeling I had that generated my need to paint this music. For these finished works I listen to the music. I go over the lyrics that all have, and then the lines of verse seem to just happen. It is hard to explain. Thoughts come out of nowhere, and the words follow.
Scott Von Holzen
