S_V_H Africa image 3

•12/30/2018 • Comments Off on S_V_H Africa image 3

Previous early new year paintings have anticipated directional changes in style to come in the new year.  Africa continues that trend with the added incentive that it will be my submission for the local library juried show, this April.  For 2019 the library is celebrating its 40th Art West exhibition.  Last year I entered the wonderful In The Mood, which until today was the header picture for this blog.  That artwork was not accepted.  That surprised me. What was and am I missing?  I suspect that same result with this years Africa submission, because this is a “celebration” year for the Library.  That means, and this is only my sense, that the entry competition will be strong with a prejudice tilted to the popular and known local artists.  My hope lies with the two experienced artists doing this years judging.  One of them may will have a momentary Art insight with the independence to invite me.  They may see Africa as I do as a leading contemporary artwork, not just locally, but everywhere.  If nothing happens, maybe they will have the respect to email my rejection, without my requesting.  Otherwise no regrets,  I still will have a great Artwork to start to a new year.

This third image shows the upper and lower music mounted to the background.  Drilling holes and screwing canvases together brought back memories of Vivaldi’s The Four Seasons Artworks, and the care needed to support and align canvas parts correctly. I had the easier option to attach the top and bottom canvases to the top and bottom edges of the background, but that looked too two-dimensional.  The top section theme is the night sky and the day with rain falling. The lower music color theme  is the Serengeti, along with the eventual addition of mount Kilimanjaro.

During our local Art association Christmas party, Sandra an artist,  who had exhibited along side me in a fall art show, suggested that to increase the interest in my music paintings,  that I could take a song like Blue Moon, and paint that as a landscape with a blue moon. Although her thinking had merit I felt a little taken back.  I did not tell her that most of my artworks already include colors, and design aspects related to the music,  or that if I did paint the song Blue Moon,  a blue moon would be certainly be a visual point of interest, along with other shades of acrylic blues.  I did thank her politely, and turned away, stunned that I had nothing else to say.  Only now do I understand my silence: I have never had to defend my artwork to strangers.  Up to that Christmas party moment no one,  beyond close family and my first CVA meeting in Wausau, over the last thirteen years, have ever challenged the merits of my art.  Sandra, was a big surprise, and a come to Jesus moment.

For now here are two examples of this art connecting paint to flow.  This is a an image of Waylon’s guitar and the artwork Waymore’s Blues.

(Photo by Stephanie Chernikowski/Redferns)

Another example of Sandra, and her Blue Moon effect, take look at George Harrison’s guitar and the artwork My guitar gently weeps:

 

Scott Von Holzen

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S_V_H Africa second Image

•12/22/2018 • Comments Off on S_V_H Africa second Image

africa_2

This second staged image of Africa, shows the music laid out on the background.  In the past I would build these artworks one section or piece at a time, and then mount what I had to the background before moving on.  With this artwork, similar to the Christmas painting, I am constructing and painting all the parts of the music before attaching anything to the background.  This saves time,  but doing all the construction at once can be tiresome, repetitive, and show little progress.  Having all the pieces available, does cut the stress of making sure everything fits in predefined background.  What stays the same, and is consistent from the very first music artwork,  is that I add the music to the background from left to right.

I  mention in my last blog entry, the 29th Annual Midwest Seasons exhibition,  for which I submitted this years Christmas painting.   I waited all week of December 10th, their timeline, for a notification. Finally, on Friday afternoon I emailed the CVA in Wausau to ask for an update.  Surprisingly, I receive a quick response.

………………………..

“Dear Scott,

We would like to thank you for submitting your artwork for the 29th Annual Midwest Seasons exhibit. We had an outstanding collection of entries this year with over 200 images for the juror to review. We were greatly impressed by the amount and quality of all of the submissions.

We regret to inform you that the juror did not select your entries for the exhibit. We hope you will continue to submit work for future competitive exhibits, as the juror changes every year. Each juror has a unique vision for the show and your artwork may be viewed differently by our next juror.

We hope you will join us for the Opening Gallery Gala & Awards Reception for the 29th Annual Midwest Seasons exhibit on January 18th, 2019 from 5 to 7pm.

Thank you for submitting your artwork and for supporting the Center for the Visual Arts.

Kindest regards,”

x xx x x x x x x  x

…………………………..

I take all these type of rejections as a sign that I am either ahead of my time, and not understood, or that what I am doing is not art in the Juror’s mind.  I have not yet received my first acceptance, so I don’t know which way to lean.  The fact that none of rejections ever come with an explanation, makes it impossible to learn how the Contemporary Art World works.  I may eventually make my way, which will require even more determination, time, and luck to stay, for according to the Eagles there will always be a new kid in town.

Scott Von Holzen

 

Africa first image

•12/13/2018 • Comments Off on Africa first image

This artwork starts its build from the music of Toto.  For this first image you are seeing three separate pieces stacked up.  The top and the bottom aluminum sections, with the covered canvas for print protection, is for the music.  The only lyric, the word Africa,  will be in the middle section. Africa looked to be an artwork over eight feet in length.   Another long and narrow artwork caused me to think it was time to change the elongated structure common in my artworks.   I decided to break a apart the music, and stack it creating more of a rectangle artwork.  In order to connect, and separate both pieces of the music, I choose to add a wider middle size of canvas.  I bolted two 10 x 20 inches canvases together for the background, and to be the base for the two musical sections.  For this middle background canvas, to give this area value,  I choose the Serengeti to be the visual theme.  After a lot of taping and using a squeegee to spread a number of paint colors I got the look of a grassy plain,  with a few green trees in the shape of a musical staff, that worked.

The official, music video of Africa by Toto, is awful, dated, with a poor story line and token African references.  I prefer this later live version for the first 4 minuets or so, and then the rest is filler.

 

 

Better, is this video of  AFRICA, by the Angel City Chorale.  Africa has a Gospel sound, that for me, is the emotional appeal of this music.

 

Scott Von Holzen

Rockin’ Around the Christmas Tree Final Image

•12/04/2018 • Comments Off on Rockin’ Around the Christmas Tree Final Image

Rockin’ Around the Christmas Tree, 42.5″ in length x 13″ high

Rockin’ Around the Christmas Tree sums up this years Art style.  I did come up with a style change in the vertical staffs. In the past they have all been square.  For the staffs for this artwork I cut round dowels into half rounds.  Nothing special, just interesting to make those small changes that add up to bigger movements in this Art.   Those four words “small changes….add up” have always been what pushes this Art forward.

The photograph of this final image is not bad. It comes close to capturing the look of the aluminum frame and of the coarse Pearl paint I used on the two canvases.  To improve the accuracy of the image I did have to cut back on the contrast of the entire work.  This dimmed the whites especially noticeable in the backgrounds of the words.  I can still  perked up the whites in Photoshop, to improve the accuracy of the prints.  I do sell my Art as prints on Etsy and Amazon.  Although, I need not rush to do so,  for I have never sold a Christmas print.

Of interest I have entered this artwork, a first for a Christmas painting,  in The Center for the Visual Arts 2019 29th Annual Midwest Seasons Prospectus, on the very last day of eligibility. In the information brochure it states:

“Original works should draw inspiration from Midwest seasonal impressions and
activities: i.e., the excitement of summer sports,
the fresh scents of spring awakenings, the
warmth of a cup of hot soup in the bitter winter,
or the crisp air in the autumn colors.
Interpretations of the season may be broad and
entries are not limited to representational works”

I believe I meet this criteria for the Christmas season is a season in the Midwest, and my artwork comes from a popular Christmas song.  After 28 years of jurors I am pretty sure those who know this show probably have seen every take on what the look of our weather is in Wisconsin, accept, in truth, not the way I present it.  That than may be a problem: this Art is different and unknown.  My take than is that no matter who jurors the 29th show including any of the last 28 jurors, the 29 juror will also reject this art.  A generic rejection notice bothers me less than the lost of my entrance fee of 25 bucks, which bothers me a lot less than not trying.

I see this art as too different from what is popular at Art Fairs,  and not understood enough to be exhibited constantly in local area Art exhibitions. Over the last couple of years, against my own instincts, I have tried to market my art through Art Fairs.  I have had some success and a few sales.  Those buyers both connect to the music and find my pricing , under 300 dollars, in their range.  I have also gradually lowered my pricing and the size of my works to be more in tuned with these type of price conscience buyers.   Unfortunately,  the effect of these moves did not lead to more sales.  Instead, I feel Art Fairs have actually undercut the direction, the value, and stunted this Art’s growth.

My experiences with Art Fairs along with discussions with veteran vendors has lead me to believe that Art Fairs from year to year don’t really change, they only reset back to zero each year.   Art Fairs tend to have lots of potential  browsers, but I have had only a few buyers and they existed only in their moment in my tent.  Art Fairs therefore are like the movie Ground Hog day.  That is the reason I wish to abandon Art Fairs.  I do not feel Art Fairs and those buyers will ever connect me to the larger world of high Contemporary Art.   Ironically, Art Fairs that can do that are only the large Gallery supported Art Fairs.

Currently, I have no connections to any large Galleries so that leaves me with the option that started this blog post:  participating in Call-for-Artists exhibits.  These exhibits open the door to another group of supporters that don’t go to Art Fairs, and only occasionally go to Art exhibitions if they are a supporting member.  The difference between Art Fair browsers and  “Call to Artist” Art exhibition supporters is the level of interest in today’s Art.  Buyers interested in contemporary Art attend  Art exhibitions. Art Fair goers are browsers interested in craft works and a lot interested in connecting to an artwork.  Even if some Art exhibit attendees see only an investment,  there will always be a few others that buy Art because they believe.  Even though they are much fewer in numbers than Art Fair goers, and at times are difficult to deal with, they do, at less in spirit, support the Arts.  Maybe not with their money, (let’s be real here) but certainly with their words and their egos.  This than offers a small opening to greater opportunities as long as I can self-support this Art.  Since I can I can therefore play the juror game knowing that Art exhibitions, can offer doors that may open out to a wider audiences and bigger opportunities.  Unlike Art Fairs, there are no doors, only my tent opening, to a closet I never wanted to be in.

And, if I make the 29 Annual Midwest Seasons Prospectus  show, praise Jesus,  you never know what new opportunity may be ahead.  I need to stay focused, participate, and continue to make all those small changes. When everything is added up, I may be surprised by the doors I walked through, and the doors I open on my own.  It all starts with baby steps, baby.

Scott Von Holzen

 

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Rockin’ Around the Christmas Tree image 1

•11/25/2018 • Comments Off on Rockin’ Around the Christmas Tree image 1

To my surprise, Rockin’ Around the Christmas tree, is my thirteenth Christmas time painting. That is a lot of artwork time spent in the later part of the year, when I am not into Christmas music at Christmas time.  Instead I prefer an occasional Christmas song in the summer time.  For me Christmas music in July, is a diversion away from in-the-moment pop music, or when I am drowning in boredom from my own, aging playlists.  Rockin’ Around the Christmas Tree, sung by Brenda Lee, represents one of those great Summer Christmas songs, that will lift your spirit, and cool your temperature.

This artwork consists of two eight by sixteen inch canvasses, in a metal frame with a pearl colored background that does not portray well in the image. The music will be mostly in a Cobalt blue that worked well in the 2016 Christmas painting, Ave Maria.  A canvas image of this artwork will appear in this years Christmas card.

Scott Von Holzen

Por Una Cabeza The Tango Final image

•11/20/2018 • Comments Off on Por Una Cabeza The Tango Final image
The Tango Por Una Cabeza, 83 inches in length by 17 inches in height.

The Tango

I wrote these comments for this video:
“This artwork is a portrait of the Tango from the movie Scent of a Woman. What makes this work different from the previous other large works of 2018, Like Vogue, and the Mozart Serenade, is that I broke the music a part based on the two rests from the music. What I am trying to do is to capture that same feeling that I get when I view an actual Van Gogh painting. Its is his colors that pulls me closer to Vincent, but it is the seeing of his brush strokes and the interaction they have on all those bright colors that creates the connection. Although I am trying to use bright colors differently from Vincent, I do want to pull the viewer closer. I hopefully do that with their interaction with the music. That is why breaking the music apart I think creates curiosity with the viewer. I talk of immersive qualities of this artwork in the video. That may be over confidence on me, but no matter, it is a start, for better to come.”

I do not need to say anymore about this artwork. After two months of living with it, I wish only to move on.  That is what has happened. I am now working on 2018’s Christmas painting.  An image of this artwork will be a part of the Christmas Cards that I will be sending out to those who have supported me this year and in the past. Never forget.  Thank You

Scott Von Holzen

Por Una Cabeza The Tango image 2

•11/20/2018 • Comments Off on Por Una Cabeza The Tango image 2

The Tango, it near completion.  After the setback it is surprising how well I was able to put everything back with minimal issues. Every artwork has its moments of disappointment and testing of the artist determination.  The fact that every one of these artworks is like building something that has never been built before, proves my worth and will to succeed.  But not my confidence.

Por Una Cabeza on Tuesday morning.

This artwork is resilient.  Next up is the music.

 

Scott Von Holzen