S_V_H Martha my Dear final image

Maratha my Dear L115″xH32″xD6″

There were major issues with the focus of this video, that annoyed me, but published it anyway. I was happy (in my way) with the content and the enthusiasm of this video. To then try to repeat all of my spontaneous responses to my own comments, in the same way, that would not happen. This focusing issue resulted in spending precious afternoon studio hours testing different solutions. Surprised, a setting change to my Canon 5D mark IV, and to my external microphone setup, resulted in good-to-go for now focus.

I do have this comment not mentioned in the video. The smaller than my normal sized canvas, mostly white painted, and the larger size of the music, along with my black colored staffs, is the reason that the music dominates this music box. The temporary off white support for this work also it blends too easily with the canvas. What is the obvious difference with works from this last year is that those canvases are larger and filled with more colors that contrast. For this project, white and muted grays were my options if I wanted to use the cover of The Beatles White Album as my template. Because of my history with photography I live to capture contrast in my photos and my artworks. I did so a little. So it is. So it is not.

Scott Von Holzen

S_V_H Martha my Dear putting it together

Here is another put-together video of my latest Music Box Martha my Dear.

The canvas is six feet, but it is only twenty inches in width. That turned out to be a little tight. When I made this video, I had not attached the industrial Velcro I use along the top edge to prevent the canvas from sliding between the magnets. What happened when I attached the small upper piece to the right, the weight of the music pulled the canvas down. The magnets attached to the music were at the very top of the frame and the canvas. Making it even more difficult to hand is that the music built for this artwork is larger than previous works. This created a similar problem with the large centerpiece of the music, with it, the magnets, and canvas all seating along the bottom edge. This is a lesson learned. I wanted to see if I could attach the music to narrower pieces of canvas. What I learned is that a wider canvas would have made it easier to arrange the music, and that I should avoid trying to attach the music to either the top or the bottom of the canvas. For this work, I will figure out how to better arrange the music away from the edges of the canvas. Along with the added Velcro for support, this artwork should make for an interesting and enjoyable Music Box for the viewer to view and play. If that opportunity eventually presents itself. So it is.

Scott Von Holzen

S_V_H Martha my Dear, the raw Audio test

I use the software Notion that is part of my DAW, StudioOne, to create the notation for what will eventually be my final cover version of the music used in this artwork’s music box. The instruments in Notion are decent, but I can improve the sound of my cover music substantially in StudioOne. Having the Notion version play on my newly build stereo system is part of the testing I do, to hear what improvements are needed.

Although I have paid for a cover license for this music for the minimum of 25 copies, I will only have this one music box and this one final version of this music. If the Powers-to-be of YouTube complain about the music, I will then switch this video from Public to Private, on YouTube, but the link to this video will still work.

The only purpose of this video is to be a part of the documentation of this art’s progress. Nothing more is relevant. I have over 100 videos over the last nine years, with many with no or only a few views. I do not have the time, nor do I want to spend the time to cater to the “Like” button. All of my videos, which become clearly apparent, are as raw as can be. I prefer it that way. I have said, I hope I never go viral. The cost to me and to this art would be too high if that happens in followup wasted time. My focus is this Art and never to be another one-hit-wonder. So it is.

Scott Von Holzen