S_V_H Crazy Final Image

This is the final image of Crazy with its stands attached. When close to finishing an artwork, I will build the stands to allow better access to complete the work. The alternative would be to place the artwork on easels, making it difficult to access the stereo system, or the music notes attached to the canvas with magnets on the backside.

Although I signed and dated this artwork on July 22nd, I soon realized that I was not done. I forgot all those interesting musical items that add interest to the work. I am referring to all those small white objects attached to the music that in musical terms are the dots, beams, sixteen notes, and staff lines.

Crazy W66.5″xH45″xD8″

Here are my, this-work-is-finally done, comments on the Music Box Crazy posted on YouTube:

I have created a new website, emptywallsart.com, to better market this art and to support and promote the works of 6 other artists that are a part of the group. Organizing artists was only made possible with the help of two of the other six members, Jeff Nelson and Christy Skuban. This website is to be used to sell group exhibitions for Galleries and Art organizations.
Our group has the foundational connection in that we are all three-dimensional artists. Four of us are wall mounted and two are sculptural artists. We then offer the flexibility to a gallery, for example, the option to choose which artists would fit their best interests. Because of the diversity and the talent in this group, there will be kinks to be worked out. A positive side of this collaboration will hopefully come with the larger resource in ideas and venue opportunities to promote and sell our three-dimensional art to ever larger markets. My thinking is that the group will become greater than the sum of its members.

This is the Home page for EmptyWallsArt

It is obvious, even to me, after reading a few of these blog posts, how frustrating it has been to find ways to, as I would say, “break on through to the other side.” I have tried Art fairs, in and outdoors, local and distant exhibitions, and websites to market this art, and they all eventually reach the same level and result: no movement in this art. A show begins and ends, an exhibition begins and ends, an art sale occasionally begins and ends. As a wise man at an outdoor art fair told me, all these art venues reset every year.

These types of art exhibitions are fine to add names and dates to an art resume, but that is all their worth. Understandably, this art is not your typical craft work (make up your own definition of craft versus art, mine way below) that fills these shows and is appealing to the public for their prettiness, highly polished look, or eye-catching use of color. Therefore, I have made this turning point: “insanity is doing the same thing over and over again and expecting different results.” ~ Albert Einstein.

Something I wish to document and share:

The one-year anniversary of the passing of my brother, Roger, is drawing near. In my tribute to him I wrote a story poem that took months for me to complete. At his celebration of life, this last June 4th, I read it aloud, with encouragement from my family. I believe this story poem contains many universal moments and meanings about the difficulties of losing someone close to you that others may relate to.

I started writing this story poem in early February and finished the last changes in early June. It took so long to produce that I felt for me and Roger’s memory I would release it slowly. The poem is in fifteen different sections. The plan, starting with this post, is to make public the first section of this poem. Then, in the next fourteen blog posts, I will add another section until the poem is complete. Here is the first of fifteen sections of my poem dedicated to my brother Roger Von Holzen.

Roger’s poem

The sun in winter
 is all too short.
Who knew as you move through our lives,
that yours would follow the winter sun.

Scott Von Holzen

Art vs Craft

All art is craft
Not all craft is art.
the difference is
art was and always will be
an ever open revolving door
of perception.
Craft is a product

S_V_H Crazy image 2 update

The Music Box Crazy

I have always liked this song for reasons unknown. I never thought of painting it until I was watching a YouTube Art video and heard another cover of it by a street singer. Here is that cover of Crazy heard right from the start of the YouTube video by James Kalm:

The colors for this music box come from Gnarls Barkley’s outfit at his Grammy performance of Crazy and the violin section in this other YouTube live version:

The backside of Crazy showing the speaker install.

This is an advanced cover of the audio for the song Crazy. Like the YouTube video versions I liked these slower versions of the original.

This artwork needs to be completed. Its time has passed. The audio, as mentioned, is not done. At this stage the audio is being tested through computer speakers. The audio system for Crazy is my hand built system with its own custom speakers. When I am good with the sound of this cover on my computer speakers, a Bose system, I will then install that copy onto the music box and listen to that sound. Since the artworks speaker system is only two 4″ speakers, no doubt I will have to adjust it. I will then need to tweak the equalizer, the reverb, and balance, for example, until I hear a sound that is as good-as-it-gets. Then that is it.

Scott von Holzen

S_V_H Just Another Day image 3

Just another Day L64″xH44″xD6″

This is the project Just Another Day, with the artwork music in place. I changed the original design by dropping the bottom canvas lower, which allows easier access for attaching the music.

The Dancing house images from the LACMA exhibition catalog.

I have found the inspiration for this artwork in the architecture of Frank Gehry. It is his freedom from standard architectural rules, made possible through computer software, that allows him to create the buildings that match his imagination. His accomplishments give me the encouragement to break completely from any of my own artificial limitations I made up for this art. Now what works for me, I will make work for these artworks. That sounds simple, but the getting to this understanding has taken years.

The definition of this art starts with sheet music and accordion lessons when I was seven. My appreciation of music has grown ever since, including the grasping of music theory and my interest in learning to play different musical instruments. It was knowing the fundamentals of reading sheet music that I discovered a unique painting technique.

Before I started painting music, I searched “art in music” and what I found were paintings of people playing musical instruments, or abstract images given a title of a song. I chose a different way to paint music by using the up and down flow of a song seen in its sheet music. I felt I could paint this approach if I kept this art to only representing this movement. I wanted the viewer to visualize the music in an artwork built around a song’s pitch changes, and not a painting of sheet music. Now, with Frank Gehry’s creative push over-the-ledge, I am letting go of those artistic restraints that have forever defined these music works. It just took me forever to get to this point of seeing the value of Gehry’s designs, along with a little help from Bach.

I see Gehry’s finish, especially his commercial projects, as high craft, especially in his use of speculator materials like titanium. I do not consider my artwork high craft and do not present them that way. I understand the beauty and high craftsmanship of great art that is favored. I just think it is a waste of time and has little to do with my message. I see my approach, for example, in the varied model pictures of Frank Gehry’s “the Dancing House.” I feel these models harmonize better with my artistic style. Add to that a little help from a rediscovered 2020 Bach project.

J S Bach Minuet 1067

This Bach artwork was experimental, for it allowed me to slide the music sections about using mounted arms. Those two white mounted arms in the lower middle of the artwork are examples of what I used to connect the music to with bolts and wing nuts. When loosen, this then allows the music to slide up and down those arms. This Bach work is the first attempt at what I now take for granted. The problem back then was how to secure the arms of the artwork, which turned out to be not reliable.

It was the CVA show the summer of 2021, that this Bach artwork got the worse of it, coming home with pieces of it in a tote. This artwork was a mess, and an irritation that I ignored for months. The worse issue was the mounting arms that pushed out the music a lot further from the canvas. This exposure and the weakness of the mounts resulted in more parts of the artwork being loosened or even falling off at the show and breaking loose on the U-Haul truck rental drive home. Eventually to store, I repaired the damaged from the CVA show. It surprised me I was only missing one small piece. Although still fragile to the touch, I took what I have learned since its build to strengthen the attachment of the artwork to the canvases.

After the repairs were done, I took another look at this work, and how the music stood out three inches from the canvas surface. This distance creates an amazing look of depth lost in a picture. Also, the beautiful curved white shapes give a superior strong look of motion across the artwork.

Taking my current mood, the depth and style of the Bach’s work, and Gehry’s let-it-all-hang-out style, the results are in. Just another Day’s looks results from the largest canvas being painted like the look of corrugated sheet metal, the curving of wood pieces, and an eighteen-inch steel plate, resulting in an artwork with a depth of six inches.

I believe in my early days of group exhibitions, I could only find one standard art genre name that fit somewhat, which was Mixed Media. When I added a push button to play the music, the artwork was portraying, I then went all-art-genre-in and came up with the description of Interactive constructive sculpture. I now have simplified this genre down to Sculptural Music box. We will see how long that lasts.

Up next, I will work on the installation of the stereo system, which will complete this music box project.

Scott Von Holzen