S_V_H A day in the life first image

A Day in the Life ≈L33″xW21″
A Day in the Life from The Beatles 1967 studio album, Sgt. Pepper’s Lonely Hearts Club Band

Now that I am committed to doing small music works, once again, I wanted to look back at how I came up with this well-worn plan version whatever. I believe I found the beginning of the idea in an email I sent to the EWA membership, paying tribute to Christy Skuban, a member who had passed away. The part of that email, in bold print, I am sure is key to that decision.
I believe EWAs should do its own celebration of Christy and her art. …… through the….2025 Winter Art show. We could ask those who own works by Christy to display her work as the centerpiece of the exhibition. Then, alongside her art, I would suggest each member of EWA would also hang one piece of their art in the style of Christy.

The words “in the style” gave me the opening to experiment, one more time, with going small. That is because Christy’s art was dingy, around two feet in height and smaller in width, with a depth around two inches. One other small motivation showed up in my notes that I put together for one of my short-lived therapist sessions. That note to myself read: Everything would make sense, up to this point, if this art sold. Christy’s art, especially in her hometown area she sold. Even in our EWA shows, her sales stood out. Of course, her art had a reasonable price for this area’s market. Her pricing started from just under two-hundred to three-hundred. My art has never been that cheap. That means to no sales in years. That translates either the problem is the art or the pricing. Okay, one more time. Let’s see if it is the price.

Simplifying my artworks design by abstracting my notation and keeping the width under three feet will save considerable cost and time. Reducing the cover music’s complexity, length, and moving to the cheaper 2Watt stereo system will save time and money. I still won’t price anywhere near Christy, but I am aiming for these mini works to have a retail value of around plus or minus five hundred dollars. That amount is still pricey for this local art market, but within sale possibility. If I can sell them here, along with their easy to travel size, these two ideas may open doors to bigger sales outside the area,

My colors for the project are an easy and diverse list. All I had to do was to look at the album cover.

Sgt. Pepper’s Lonely Hearts Club Band album cover

The many attempts over many years to find the sweet spot for an entry level art market for this art reminds me of a quote from a television interview of a creative person: “No one fails, they just stop trying.” That lead to my search for the original, which I think is from Albert Einstein, “You never fail until you stop trying.” Interestingly, that partially sums up a new way of thinking I eked out from one of my 8 tele visit therapy sessions. To append that quote, I have my stand by motivation words: “The closer you are to success, the nearer you are to failure.” If only Vincent Van Gogh would have known.

Scott Von Holzen

S_V_H Final Just Breathe & Our House

Just Breathe L72.25″xW34″xD10.75″
Our House L72.25″xW35.75″xD10.75″

I have little more to add about these two experimental artworks. They were both the original idea of making small art. Now, they are not. I have another idea so read on. There are a couple of style changes that came out of these two works that will probably develop with the art. The first is the exposing of the hanging wire. After so many years of working to hide, or looking for the wire to hang the artwork, these works make that a lot simpler. A big surprise was that I could easily balance these artworks out from the wall and it was equally easy to level both the top canvas and the artwork. The second style change was the placement of my notation on the backside of the artwork frame. That is a good idea. It breaks up that left-to-right flow, gives the artwork depth, and certainly adds interest. In all I am exhausted by the extended timeline it took to produce two works at once. I believe this will not happen again for a while.

Just breathe original cover music
Our House original cover music

And yes, my idea of smaller artworks has again changed after completing these two in one project. The idea of creating smaller artworks over the years keeps coming back with the results always the same: smaller music boxes should be easier to sell. Except that they don’t. I keep proving this over-an-over. As always, the results have been the same, nothing encouraging. But, once again, I have a new purpose to why I need to go small. Actually, even smaller than these two works.

In order to “break on through to the other side,” I need to show, show more, and show often this art. To make that possible, I must solve the question of how do I travel with multiple pieces of this art. Currently, anywhere outside my home area, this would be impossible unless I rented a U-Haul van. My god, the last time I did this it turn out to be a miserable, noisy, and expensive experience. I had to repair damage art upon arrival, and repair damaged art after returning to home. I must not forget we had to stop twice to put air in a tire. I vowed never again. That holds to this day. I rather have my work gather dust in a forgotten storage. Period. But? I am a founding member of a group of artist’s name EmptyWallsArt. As a group we are now adjusting to our new reality with the recent passing of another founder of EW Art, Christy Skuban. One plan that was decided was to spread our reach further out to 300 miles in search of exhibitions and shows.

Currently, our Jeep Grand Cherokee can stack three of my averaged size artworks each six feet or under. That might be enough for some shows, but if I apply for a one person show, certainly I need more numbers of art. The idea for these latest works was to make smaller artworks. Even though I use memory foam in between, the weight increases with each level of art that is stacked laying down. These two works would be the top layer. Their narrower width would allow for adding only one more artwork. The problem I discovered was that any art stacked on the third lay must have a length under six feet. This is not an issue staking works on the first two layers, therefore my newest smaller works would not fit. I could solve my travel issues by buying a $5000 small enclosed aluminum trailer. That would be okay if I was consistently selling art, but I am not. I needed another smaller art idea, and that came together after losing Christy Skuban.

Christ Skuban passed away in early February. She was a founding member of EmptyWallsArt
Big Block Builder H29″xW23″xD2″ is one of Christy‘s works, I believe from 2023.

My thinking today about the idea of going small comes from reading the story of Jo Van Gogh-Bonger. She single-handedly made Vincent Van Gogh known to the public. What she did was to loan out Vincent’s artwork for exhibition that included, not for sale, major works. Other lesser known works that were for sale then surrounded those primary pieces. Vincent’s out of reach artworks made the smaller, lesser artworks more desirable. That is where Christy now comes in. Her small size works have sold at each of the EWA shows. Christy’s art, along with examples like Big Block Builder, has inspired me to build a new look for smaller art. If this new plan works, the results will be that I will only take one large artwork to an exhibition. On top of that first layer I will then stack super small size music boxes, no longer than 36 inches, two feet wide, and a few inches deep.

I am currently cutting my circular notation from wood. What remains is scrap wood that is filled with holes in the shape of circles. My idea is to reverse my notation. The cut holes will now represent my notation. How I will do this is to take a wide rectangular piece of plywood which would represent a musical staff. I will than mark and cut out round holes in a left-to-right order that matches the up and down flow seen on my artworks and in sheet music. Christy’s work, Big Block Builder, embodies a vision of that idea. If I can make this work, I am seeing an opportunity to take this art in an entirely new direction, while solving the travel issues I currently have. Like my larger portraits these smaller works will also include playable custom music, and hopefully LED lighting. This challenge awaits.

Scott Von Holzen

S_V_H Just Breathe image 2

A recent image of Just Breathe

There are three parts to each new artwork project. There is near complete artwork. That is what you see in the image above. Next up is the music system in two parts. I have already mounted the speakers, but now I need to build the stereo system and connect the speakers. Then, once the stereo is ready, I will return to the computer to finish the cover music. This music will need to be refined to sound its best through the artwork’s 5×7 speakers. The last major step, and now my newly added third task, is to mount an LED light strip and connecting it to the stereo system.

Early version of Just Breathe along with Our House waiting its turn.
Here is a nice video of Willie Nelson with his son Lukas Nelson singing Just Breathe.
Christy Skuban one of the founders of EmptyWallsArt past away on February 5th 2024.

I remember the first time I saw Christy. I am thinking early 2017 when my son-in-law told me about a craft art show at an old converted tire factory. With snow and ice and few easy access parking, found a spot to park and soon made it into the large, very high ceiling entrance. Although busy, through the crowd I saw a woman standing behind in table dressed with dark-framed glasses, a violet hat and a coat to match. Behind her I saw hanging several abstract and colorful artworks. Definitely 3D. I remember saying to myself, “Who the hell is that?” But instead of walking over to her, I move on with my son-in-law, for there was a lot to see in several buildings. Much later we Christy and I became artist friend she told me this. Later the spring at the Spring Art show at the Heyde in Chippewa Falls she walked into a room and had her first encounter with three of my artworks. I believe she said something similar to “I wonder who that artist was.” This rest is a nice on and off contact and relationship with Christy. That is until she made possible and credible the foundation of EmptyWallsArt. She was the curator for our current 2024 Chippewa Valley Museum’s (CVM) Winter Art show. EmptyWallsArt will not be the same for a long while to come. But to honor Christy, her Art and her positive dedication to EmptyWalls this is an edited version of what I emailed to the group’s membership:

Our tribute to Christy should first start with a strong commitment by all the members to support and promote the organization she absolutely made possible. The group can then look to seek out one or two women to eventually and hopefully fill her position. The CVM 2025 Winter Art show would give us an excellent opportunity to pay tribute to Christy through EWA. We could ask those who own art by Christy to put their works on display as the centerpiece of the exhibition. Alongside her art I made the suggestion that each member of EWA also hang one piece of their art in the style of Christy. What a respectful way to honor her. Such an event would also be a call out to all those who cared for her and her art to come and be a part of that exhibition’s reception. I added that I felt that Christy, although a very outgoing artist, had her shy side. I could not help but feel such a tribute to her would be her preference.
Christy’s art will have its celebration. When it is this time, I will not pass her by. I will walk to her remembering one more time that long ago moment the girl in glasses and that large violet hat.

Scott Von Holzen