S_V_H The Blue Danube image 3

In this third image of Blue Danube, I have both sections connected for a length of eighty-one inches.  In this image, you can see the mix of black and white objects.  If you could see the artwork from the side,  I have place white dots on the black stems to refer to deep space.  The white stems represent all the different spaceships from the movie.  They designed those spaceships with detailed and varying surfaces.  At first, I tried to used stencils to add some markings to the white stems. That did not work.  Instead, I used a mechanical pencil to draw in the shapes from the stencil and then sealed them with a white glaze.  In the lower section, right side, I have designed the highest note to look like the space station from the opening scenes from the Blue Danube video.  All this would look a lot more interesting if the background would be darker.

I have until the eighth of July to entry this artwork.  I still have a lot of decorative and interest items to add.  Those types of things are important to the look, and depth of the artwork.  The last thing then would be to add the stereo music system.

 

Scott Von Holzen

S_V_H The Blue Danube image 2

First image of the Top Moon section of Artwork

I am fortunate to bring this artwork into existents.  I base it on the music, The Blue Danube by Johann Strauss II, from the movie 2001 Space Odyssey.  Luckily YouTube offers a clip of the music from the movie that still amazes me, and that captivated my imagination then.  As a kid I grew up in the space age knowing the names of the nine planets, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (now considered a dwarf planet).  No matter,  from the start Saturn was always my favorite.  Its name started with an S (for Scott) and those rings made the planet even more special.  I remember having a paper cutout mobile of the solar system that hung in my bedroom.

One other recall, from that time, was a Christmas wish for a telescope, that I never got.  My parents said something about the order not being sent.  I never asked either of them if there was more to the telescope story.  Throughout my life, I debated buying a telescope;  I have not.  I now live in the city that has a bright sky,  street lights, and few stars which makes a telescope an impractical idea.  And yet, I found a new connection to my past.  Our latest house is on a hill facing south towards the city.  To my surprise, I can see the moon many nights throughout the year.  An unexpected delight is finding the moon, during the night, as it moves across our bedroom windows.  Didn’t need a telescope then.  Don’t need it now.  Wonderful that on many nights the spirit of that little boy, and the space age he grew up with,  lives on.

Scott Von Holzen

S_V_H The Blue Danube Waltz image 1

The first image of my newer projects show this small gathering of lots of pieces that took time and effort to produce. This artwork, The Blue Danube Waltz, will follow the trend of stacking the art in sections to form a rectangle look.  Otherwise,  my pre-2019 pencil shape style lengthens this artwork to over twelve feet.

Once upon three years, I was a student at the University of Wisconsin Madison. On rare occasions, on campus, I would go to a movie.  I recall only two times, but not at a theater.  On campus, now or then, movies were free or cheap.  One movie I remember seeing was Deep Throat. Yes, that movie. How could you not?  Away from a small town, I had a deep curiosity in the ways of the big town.  The other more memorable movie, that left a lasting impression, was 2001 Space Odyssey. This movie stirred emotions for Johann Strauss’s waltz,  and the theme of this artwork, The Blue Danube.  The unpredictable combination of the 3 4 beat of a waltz and images of earth from space captivated me.  Here is a clip from that unforgettable sound and visual of The Blue Danube.

In this initial image, you see the second version of digital canvas prints.  The first time I printed them I took their look from the movie clip to be more green than blue. Looking at the accompanying scenes the earth appears in an array of bluer green colors.   Noticing that, I removed the first set of glued prints from the canvas.   No matter how I disliked reprinting, I pulled back on the green.  I increase the color blue to give the oceans a more natural look.  Using colors from a video as a starting point is a frequent procedure for me.  It connects the art to the music.

I mentioned in a blog post about last years rejection by The Pablo Center’s Annual Juried Exhibit: Confluence of Art.  What a way to motivate me.  This year’s judge may again reject this art.  The judging varies each year and is subjective, and uncertain even if the art is ready for prime time viewersTo make some sense of this nonsense, I have a favorite quote from Velveteen Rabbit, “…. once you are Real you can’t be ugly, except to people who don’t understand.”  For me, the quality of this art is there, but if it does not win recognition, unlike the art world, I understand.

Scott Von Holzen