S_V_H Martha My Dear upgrade

What the visitor needs to know:

Photo 1: This is the revised image upgrade of music box Martha My Dear from late 2021, now supported with a stretched canvas frame. The artwork’s original aluminum frame is in front.
Photo 2: This is the artwork still attached to the original aluminum frame.
Photo 3: These are the three 20 inch by 24 inch wide stretched canvases that were used for this upgrade. They were a perfect fit for the canvas.
Photo 4: This is the backside of the finished revision of the music box Martha my dear. Since the stereo system was removable from the aluminum frame, I did just that and easily connected it with longer screws to the wood frame of the canvas.

_________________________________________

Going Deeper:

_________________________________________

I never felt that this canvas hung well with the magnets to the aluminum frame. Although the aluminum frame was sturdy enough to support the two sides and the heavy speaker boxes, the overall artwork structure, I felt, was weak. That was the main reason to update this artwork’s support, with three bolted together stretched canvases. The artwork now feels stronger and sturdier, allowing the canvas to sit smoother and flatter against the canvas.

Martha my Dear the original finished artwork photo from December 2021
Martha My dear revised image L110″ x H31″ x D6″
Here is a sample of my cover for Martha my Dear.
____________________________________

Roger's poem:
My younger Brother Roger passed away a year ago this last August. In a tribute to him I wrote a story poem that took months to complete. At his celebration of life, this last June 4th, I read it aloud, with encouragement and support from my family. I believe this poem contains universal relatable moments and meanings about the difficulties of losing someone close to you. It offers an understanding that loss is not about moving on. Instead, it is a story poem about the choice of moving ahead in life with them.

(This poem is in fifteen parts or sections and with each new blog post, there will be added one additional part. I am currently posting sections 1-11)

____________________________________

Roger’s poem

The sun in winter
is all too short.
Who knew as you move through our lives,
that yours would follow the winter sun.

Winter arrests time
for thought and reflection
that February afternoon.
Dressed for warmth
we venture out,
Into the soft light,
surrounded by stillness,
not an oak leaf stirring. 

The cold of that yesterday
 is heard in the crackling crunch
 of fresh fallen snow, 
 as I straddled previous steps
 along a well-worn path,
 deep into the woods.

Although I think
we are alone,
Zelda knows better,
her actions are telling. 
Life and the deer are about. 
Stopping with her tail up,
head sharply flipping, 
to-and-fro sensing something_, 
curious,
I also pause,
feeling a stirring in the air.
With her nose to the snow, 
Zelda looks to turn off the known path, 
to explore another trail, 
far less traveled. 
Her interest, I cannot foresee,
or know where it leads. 

Before I can call her back
to the safe way forward,
Winter freezes my momentum,
with a stinging breeze
across my cheeks,
breaking the silence,
awakening concerns.
Had I dressed warm enough?
I feel and pat
my coat,
all was there.
Then it came to me,
that it was not the cold,
but the wind, returning to me
moments once set
quietly away.
I wondered why on a
cold Winter’s Day
on this made-up path,
at this crossroad
in these common woods, 
this walk halted,
by an unforeseen breeze
sending a shiver
tumbling inside, 
then out into the light.
Why over all my many memories,
did I find this one exposed
from beneath Winter’s blanket_,
a consciousness,
an awareness,
that once_, 
was you? 

But time was fleeting.
I had let pass 
the diminishing forest light
and our late start.
Fearing the coming darkness
will hide this path,
I call Zelda back
to the safe way home. 
For Home is where we want to be. 
What choice have I,
but to be on our way. 
We had to turn back,
for time does not. 
I could only turn away. 

Those moments have passed
this another Winter’s Day,
although the cold
is harder to ignore,
our routine beckons. 
Although she cares less,
I dressed Zelda in a purple coat
and I in my heaviest hooded jacket,
thankful that each new walk
the sun grows nearer,
and longer,
and the return less concerning.  

Along the way
Zelda repeats her many stops,
on our well-walked path. 
And for a distance
all seems as it should,
until the quiet is interrupted
by a strong gust
pressing against my coat,
pausing our step. 
I feel this air’s warmth, 
as I look to see Zelda stopped ahead, 
her ears pushed back 
by the wind, standing at that 
barely a crossroad 
from yesterday. 
Her brown nose twitching 
in this comforting air. 
Although surprised 
to see her at this divide, 
I have a smile of déjà vu, 
brought-to-mind 
by a long-ago line, 
from a well-used book of poetry 
now gathering dust, 
from the poet Robert Frost__, 
“Two roads diverged in a wood…” 
Two roads, 
diverged, 
in a wood. 
However, 
that is all I recalled. 
With a sigh and interest 
I pursue 
this other trail upwards, 
to see it following 
the rush of rolling clouds, 
knowing soon these winter paths 
will turn to mud, 
preventing our return, 
until the frozen has left. 
Thus beginning the awakening, 
ending Winter’s parsing of time, 
with days merging all too quickly. 
We will lose ourselves 
to work to be done, 
and unforeseen tasks, 
demands and bills to pay, 
that surely will come. 

Though today 
Winter still decides, 
in the fast blanketing 
approach of low clouds 
bursting with snow 
and ice pellets, 
pirouetting down to us, 
if in an effort 
to hide our way, 
on this favored path. 

But wait! 
Where is Zelda? 
I see her brown eyes turned away 
as she slow trots 
along the untrampled path. 
Concerned I call her back 
when from behind 
I am shoved stepping forward, 
by a distant hum  
that becomes a gusting woosh, 
shaking the treetops, 
that then fads slowly 
to a murmuring sound, 
all so astonishingly familiar, 
awakening a time 
thought placed away_, 
when I held your hand, 
my eyes focus on your whispered breath, 
not knowing what would be your last_. 
Until now. 

For Winter’s calmness has returned.
And I am hearing only
my own breathing. 
And although I know 
that this air we can no longer share, 
as if to awaken
Winter’s silence, 
I inhale deeply in, 
then out that which gives me life, 
in a last hope, 
it may find you, 
and I may again 
hear a whisper of you_,
still here. 
sections 1-11 of fifteen.....to be continued.

Scott Von Holzen

S_V_H Martha my Dear take 2 final image

This is a follow up video showing an actual finished artwork. I forgot to create the incidentals for the music box. Those add-ons include a sharp, a flat, a tie, a couple of flags, and four beams. They are there to give music box more of a musical look that is common in sheet music. Although not as much with this artwork, all those little additions add interest and are decorative. The video discusses this and the sampling process used for the visual part of this portrait of a song.

For many years, whatever musical phrase I picked for the subject, that is what I would paint. When I added sound, I continued with that idea, painting the entire length of the music. As my musical skill and interest increased, it became apparent that I had to either reduce the size of the music that I was portraying or increase the size of the artwork. The ever-increasing length and composition of the cover music was growing. For the viewer this also made it increasingly difficult to follow the music and the visual together. The problem was that the music had involved to be as important as the artwork that was portraying it.

To get hold of what I was creating, I set a one minute thirty second maximum time limit on the music. Then, from that cover music, I would select a piece, or a sample, to portray as the visual. Hopefully, this will keep these artworks to a length, and a construction timeline, that I can handle.

I see it this way: full-length paintings of portraits are few in numbers compared, for example, with portraits from the waist up. It is like the portrait painter is sampling the image of a person. My music paintings and now my music boxes are, and have always been portraits of a song.

In the video I give the viewer, awkwardly, an example of how the music is represented in the visual. I have nothing else to add to that except this entire process of combing the visual art with performance art is continuing to continue to be a continuing evolution. So it goes.

Scott Von Holzen

Here is the finished Music Box music for Martha My Dear

S_V_H Martha my Dear putting it together

Here is another put-together video of my latest Music Box Martha my Dear.

The canvas is six feet, but it is only twenty inches in width. That turned out to be a little tight. When I made this video, I had not attached the industrial Velcro I use along the top edge to prevent the canvas from sliding between the magnets. What happened when I attached the small upper piece to the right, the weight of the music pulled the canvas down. The magnets attached to the music were at the very top of the frame and the canvas. Making it even more difficult to hand is that the music built for this artwork is larger than previous works. This created a similar problem with the large centerpiece of the music, with it, the magnets, and canvas all seating along the bottom edge. This is a lesson learned. I wanted to see if I could attach the music to narrower pieces of canvas. What I learned is that a wider canvas would have made it easier to arrange the music, and that I should avoid trying to attach the music to either the top or the bottom of the canvas. For this work, I will figure out how to better arrange the music away from the edges of the canvas. Along with the added Velcro for support, this artwork should make for an interesting and enjoyable Music Box for the viewer to view and play. If that opportunity eventually presents itself. So it is.

Scott Von Holzen