S_V_H Chopin’s Tristesse image5

This fragment image is from a 36″by 14 foot canvas.   Such a large work takes time to capture the feeling.  Right now it is basic putting the pieces together through the process of fitting all the notation on the canvas where it belongs.   The fun part comes after all is in place and you stand back and look and wonder, what is next?  What can be done to bring this work to life?  What is needed to unify the work?  What colors are going to needed to make the work PoP, and what other colors can be added to help and not hurt the movement of the canvas.  All the works move from left to right and this one has the added feature of moving from the color red to blue and finally a soft green to match those last 9 measures of this most wonderful music. So, the question is how does this all going to fit and look incredibly simple to the casual viewer.  It has to appear to be understandable even when there is no clue in the mind of the drive by art lover.  Else, the artwork fails, and the effort is just a learning experience, and nothing moves forward.

Scott Von Holzen

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S_V_H Chopin’s Tristesse image4

There are a lot of notes that can be spread across 14 feet of canvas.  Every note will be needed and put in its place. Music is kind of organize in that way, and that is respected when it comes to this art.  Music…   This art celebrates the power of the note, the value of a single note to change everything.  Understanding that purpose, that placement, that sound of that single note, to create that unique emotion that can be easily felt but hard to describe, challenges this art to do just that.

Scott Von Holzen

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S_V_H Chopin’s Tristesse image3

This the a fragment of the beginning of this most wonderful music.  Far, far from being finished this is just the first stage of the placement of the notes.  Is not music wonderful?  Is it not lucky that art like this can be created?  Is it not fine that so little of it is known which leaves so much yet to be discovered.  This is going to be a long journey.  It’s anticipation, it’s demands, it’s doubts, give it the reason to be persevered, no matter the odds, no matter what is the now. For from now on the best is yet to be painted and lots of music to be felt.

Scott Von Holzen

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