S_V_H You Raise Me Up image4

raisemeup4

This artwork, You Raise Me Up main components are in place. It is rough because there is a lot of clean up and finishing still to do, but what you see is a good look at what the final work will be. I part of the music that I would like to mention, is the lyrics, and how I pick them from the music. This sentence from the music appears over an over again in this music:

“You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up… To more than I can be.”

What I try to do is first to find a part of the music that would be interesting for me to portray. Usually I look for a short phrase from the music that has a sharp beginning and an end.  I may find a couple of potential pieces of the music that might work. I then look at the length and the words that are in the music. The length is important, for lately  I have trying to keep these smaller works under six feet. If I can keep the size down I then look at the words from that part of the music, and what combination I can use that when read together no longer just represents the music. In other words I choose the words carefully so that they are not apart of any particular piece of music.  My chosen words in my artworks can be found in any common conversations.  In the case of this music I choose the words “I am strong I can be.” Sure they can be found in the music, but the way I have placed them in the artwork, their meaning can be from the music, or their meaning can mean many, many other things. As always, I make it a must to separate the music from the art.

Talking about words brings me to a correction, or better an addition to an earlier blog post where I mention three things that separate this art from others, let say. Those three things are the number of canvas and they ways they connect.  The second is the backgrounds on these canvases are in many ways different form each other to the point that if separated each canvas could stand on its own. The third point is the way I portray the music that goes across all the canvases, and how that brings everything together as one artwork.  I need to add the fourth item, the words.  How could I forget that.  My words not only can capture the emotional feel of the music, they also can go beyond the music by reaching out the viewer and pulling them close in.  When words appear in an artwork I pick them carefully, to present the broadest range of emotional impact, which I hope will enlarge their meaning way beyond even the music.

Scott Von Holzen

S_V_H Up On the Roof image5

upOnTheRoof5

Up On The Roof is coming together.  As you move across this work, the mood of the artwork changes, along with the physical movement of the canvas which is a total of five inches closer to the viewer as you move across the work from left to right. It is impossible to see this in the image but trying to rest this work on two connected easels require adding an extension arm to hold the final canvas steady. This next week I will be spending time adding the finishing musical touches, cleaning up, and finishing the artwork, to give it that look, every artwork requires.  I am hoping to finish this work about the same time that I complete this years Christmas music.  I go back en forth between the two, which helps give me a better feel for the works, and moments between, to check their progress, and what I should do next.

Just a reminder here is the video of the Carole King, who wrote the music, and James Taylor that made in popular:

Scott Von Holzen

S_V_H You Raise Me Up image3

raisemeup3

You Raise me up this is the third image of this largest Christmas painting I have created.  Usually, I do not try to do anything fancy with Christmas painting.  The reason is that I am under a lot of time constraints, that I ignore because time is my less concern when creating a new artwork.  Of course, when it is two weeks before Christmas time does become important.  There is a lot of work to do besides completing the artwork, with Barb helping to make sure they get mailed out in time.

My first job is to complete the artwork, then I have to spend much time cleaning up the artwork.  That means touching up, cleaning up, fixing, and cleaning the artwork.  Next is the photograph.  I try to take the finish artworks portrait outside, but the light is short this time of the year, so that means I  can only do it on weekends, and this weekend, such as the temperature that I walk three miles in was nine degrees above.  Once I have the photograph, next up comes the work in Photoshop to create a credible image of the artwork, which take time.  Next up, is to design this years Christmas Card, which I do in Illustrator. This starts with last years Christmas card, and tweaks  to the design, with this years music’s words placed on the cover. Designating and printing the card and takes several days. I print just the needed number of cards plus three extra which I keep. The printing of the artwork then is next, which can go good or bad.  Once I have the master sheets, usually three pictures per, with Barbs help, I carefully cut out the images to fit the cards, sign and number them, which is a stressful exercise.  I attach the image to the card using a safe glue that I spread lightly along one edge, align,  and finish by placing a weight on the cards. We address the envelopes, based on a list of people who I have put together earlier. The next day we start with numbered image four, and always using some thought about who should get what numbers, Barb and I put the cards and the envelopes together, and the next day Barb mails them out.  Anyone who has bought, and still owns an original artwork will receive a Christmas card.  Then there are close relatives and occasionally a few special cards go out to those that have touched by life this last year in a positive way.

You raise me up, is a powerful song with a message that can stretch beyond the Christmas Season.

Scott Von Holzen