This is the painting The Ghost of Tom Joad in a late stage. I have completed all the important parts of this artwork.  Next up I will be adding interest, and cleaning up the image. I do not have much to add about this work beyond you are seeing, in this painting,  pieces of styles from a number of earlier works. But, if you scroll down the blog page and look at the Billie Holiday painting,  I just completed, you will see an entirely different style. What that shows is that this art does not evolve from work to work, but instead it comes from the music that I am portraying.  Up to now you are seeing an overall style evolution partially driven by the chosen music, but probably also pushed on because I do not want this art to stand still. As I have said many times in the past, I am persevering in this fine art quest to find out how it will actually turn out. I want to know ‘does he really make it in the art world.’ To get to that end, duplicating myself is the last thing I want to do. Evolving from the past is good and necessary, repeating begins the end. This art can fail in multiple ways, but it must not me that is the cause.

Scott Von Holzen

 

The Ghost of Tom Joad before removing the tape I used to cover the flow of the music.

Of course this is The Ghost of Tom Joad after removing tape. I have tried this experiment  before but not to this extent. I do not think I will do it this way in the future.  I am thinking differently about how this should be done. Next time I will just indicate the general areas where the music flow will land, and then pull the layers of paint across these areas with more care.  By doing this l am thinking that each layer will be thin and soft enough that masking the music will not be worth the time spent masking.

I can see the need for a lot of touch up after removing the tape. Also, I found, especially trying to mask out the circles, that the taping overlapped, which then made the layers that cover the tape thicker. That has created a lot more finishing issues.

The base painting is done, so now it is on to the music and smoothing out the transition between the music and the background. I save the blues and their relatives, for the music. What that means even though I am trying to stay with earth tones, * brighter colors are going to creep back into this work. I can not help.

Scott Von Holzen

 

 

The Ghost of Tom Joad image 1

The Ghost of Tom Joad Image 2.

I am painting this Bruce Springsteen song because I like the music and the words. The name in the title ‘Tom Joad,’ comes from the main character in the book Grapes of Wrath by John Steinbeck that is set during the Depression. Springsteen updates the struggles of Tom Joad through his ghost.  He expressed his feelings for this music at a Madison Square Garden Concert in 2009, “…..If Woody Guthrie were alive today, he would have a lot to write about,  high times on Wall Street, and hard times on Main Street.” This music is still relevant today, with the worker that punches in struggling to stay in middle class, still  believing  that hard work, with determination, and effort will result in success, and a prosperous life.  Bruce might have said it best about the American Dream in his music, “Is that you baby, or just a brilliant disguise.”

The Ghost of Tom Joad started out as a simple single canvas artwork 20 inches by 40 inches, which was chosen for it is a nice standard rectangle artwork they would be easy to frame. The first image shows that rectangle with blends of Burnt Sienna and some basic striping.  Soon after I realize that the way I had mapped the music left little room for the words.  All I could picture was a crowding of words, and music in small parts of this work,  while leaving large expanses of canvas with little interest.  I also could not avoid the inescapable conclusion which was that this canvas looked boring.  It looked like I was trying to cut corners. I am thinking I, at first, wanted to speed up the process of creating that was so drawn out with Fine & Mellow. I halted that thinking, and that is what you see in image two.

For these early images I wanted to use some base colors that I believe would be the foundation for the music similar to what I have seen on the cover of the album The Ghost of Tom Joad.

Here is another version of this great Bruce Springsteen song:

 

I have painted, in the past, a few other protest songs. Two early, earlier, works are For What its Worth, and Fortunate Son. These two artworks represent  the sixties, Madison Wisconsin, and Vietnam.

For What’s it Worth:

Fortunate Son:

I received an Interesting comment about this work.  A long time ago I was using an image of Fortunate Son as my background on my computer, when another worker saw my screen and commented that it look like a picture of a watermelon with seeds. No no, I said,  but to this day I am still surprised that Fortunate Son has not sold considering that it appeals to not only the artsy elite but to the food crowd.Waist Deep in the Big Muddy, is a small early later work. This one was to protest our invasion of Iraq.

Since The Ghost of Tom Joad is also a small work, next up I am going to push my technique of spreading different layers of color to see what look I can create.  Also, if I can figure out, what I want to try is paint dripping. This is going to be an experimental work, that I am not in a rush to complete, for things are bound not to go right the first time.

Scott Von Holzen