S_V_H I Will 2nd Image

I Will the second image of the artwork shows good progress,  considering the times we are in.  I suppose that is not such a bad thing.  Except that the threat from COVID-19, being over seventy in age, has hampered my concentration.  Yesterday was a good day, as my focus shifted back to this art.  Still, my concerns, along with those who except the truth, is the coming danger in the next weeks.  It will remind us all how fragile is life.  That means, for me, my life is in the studio where this art, my piano, music, and books will be my busy support, along with walks with my doggy, Zelda.  That also means my wife and other family members will interact more so with others, to keep this home feeling as normal as possible.  Although all families will soon confront the unknown, for now we want our lives to remain as normal as possible. The Family is the first line of defense, no matter the crisis.

This wonderful small sized artwork is resulting in a busy-looking artwork, with smaller open areas.   Since Over the Rainbow in early 2019, I have focused on reducing the spacing in my artworks. This artwork may be the height of that trend.  The companion artwork for I Will, that I have been slow to work on, will not follow the direction of this first example.

Next up I want to repaint the music.  For some stupid reason, I spent my valuable time in a wasted effort to paint detail.  I displayed this issue in the close-up images of the music in the last blog post. Enough of that silliness.  I am not a detail artist. That runs up against one of my basic philosophies.  Although I am amazed by those who can realistically draw, personally I can accomplish the same results with a good photograph.  That thinking has defined this art throughout its development. My detail is in the artwork’s structure, where color is a tool not an end all. That is it.  I measure my artistic skill in millimeters.

For this artwork, I going to take this boring image two, and introduce a little color, to cover up all that silly detail.  Color to accent, or complement the structure and the voice of the music,  ain’t that special.

Scott Von Holzen

S_V_H I Will first Image

This is I Will the first image.  I put all the pieces for this music on the floor in a rough arrangement.  This will be a rare, tiny artwork. I am guessing over 32 inches by 22 inches in height.  It needed to be small, for it is an artwork already promised, and it will need to travel to its home to be.

Here is a closeup of the decoration I attempted with the music.  I am not really a detail style of artist, so I am not sure this look works for me, and this may change.

 

Back on my tables, I will glue down the music to the background.  The starting date on my worksheet is March 4th.  The progress of this artwork is especially good because I am creating two similar works of this music.  The first one you are now seeing.  The second artwork of I Will, will be more experimental, and its progress has not kept pace with this first example. That is what I expected.  I already know the difficulties I have working on two projects at once.

Here is a nice acoustic version of the song, I Will,  sung by Paul McCartney:

Here all the lyrics from I Will.  I am building this artwork around the enlarged lyrics.

“Who knows how long I’ve loved you
You know I love you still
Will I wait a lonely lifetime
If you want me to, I will
For if I ever saw you
I didn’t catch your name
But it never really mattered
I will always feel the same
Love you forever and forever
Love you with all my heart
Love you whenever we’re together
Love you when we’re apart
And when at last I find you
Your song will fill the air
Sing it loud so I can hear you
Make it easy to be near you
For the things you do endear you to me
You know I will
I will”  – Paul McCartney
Interestingly, as I was writing this post, I played the video of Paul McCartney singing,  I will.   Forgetting to close the YouTube page, unexpectantly on YouTube, Paul McCartney sang another acoustic version of his music.  This time the song was Blackbird.  I painted the music Blackbird in early 2012.  Here is that artwork:
I like this artwork a lot.  It hung in my last studio over my computer desk.  “I was so much more painterly back then, I younger than that now.”
Scott Von Holzen

S_V_H Blood Brothers (My Brothers) final image

My Brothers, wood metal, canvas, acrylic paint L43.5″ x H41″ x D4.25

This is the final image of the project Blood Brothers, now titled as My Brothers.  This artwork has run its course.  My worksheet has a beginning date of 12-29-2019.  I finished this work on the twentieth of February.   Thankfully, my time was not all spent on finishing this project.

I finally step it up and built a new website, updated the links to https:// and had it installed with the help of Brett Widmann a friend from my old workdays. This new main site will be easier to maintain.  It also gives me the opportunity to present a greater range of personal artist insight and videos that explain the art.  On line and in these blog entries hopefully, I can build a stronger connection with the viewer.

My style with My Brothers now completes a phase of this evolution that started early last year.  I have seen good progress but would like even more changes in how I represent visually music.  One option I am looking at is to build my artworks in smaller sections and then mount them on some kind of background. If nothing else, I am looking at breaking away from the regimented look of my flow that still resembles sheet music. The music it is displaying will still define the art, but for 99.9 percent of all viewers, the fewer notation rules I follow the more interesting art.  And finally, I have to figure out how to better integrate the visual with the audio.   Like I mentioned, my audio is no longer that easy to follow along with the flow of the artwork.  So, that means most viewers don’t know what to do.   Either they can look randomly at the artwork while listening to the music or pay no attention to the artwork while listening.   Or finally, stick with how it used to be by trying to follow the flow of the artwork when listening to the music.  My challenge is to make the viewing of the artwork and the listening to the audio a seamless experience.  Once I figure out how to do that.  I think I am on my way.

My final thought on this artwork is that I like the scratched and dent look.  This artwork presents a real-life image with plenty of meaning, without preaching or lecturing the viewer. This look comes from the lyrics from the song Blood Brothers:

“On through the houses of the dead past those fallen in their tracks
Always movin’ ahead and never lookin’ back
Now I don’t know how I feel, I don’t know how I feel tonight
If I’ve fallen ‘neath the wheel, if I’ve lost or I’ve gained sight
I don’t even know why, I don’t know why I made this call
Or if any of this matters anymore after all
But the stars are burnin’ bright like some mystery uncovered
I’ll keep movin’ through the dark with you in my heart
My blood brother”  – Bruce Springsteen

Finally, moving along.

Scott Von Holzen