S_V_H Keep on Loving You image3

keepLovinYou_3

Keep on Loving You consists of four panels with an overall length of five feet four inches. This artwork is one of my new series  I call my mini-works. This background is now ready for the music.  I have tried to use many 80’s color shades for this part of the work. The thought is to give each canvass its own feel.  I believe I achieved that in this artwork. Next up I will be drawing in the flow of the music.

As for the color scheme for the music, ah…….I have not a clue. Picking the note color usually happens in a moment. I look at the work, and look at the colors that I have not use for the background, and I then find one that either stands out, or blends in, depending on what I believe is the overall feel of the music I am portraying.  So, is the music is in your face, or instead does it shy away, that is how I decide the colors to use for the music.  I then focus on the flow of the music. The moment that this artwork portrays actually decides the mood and the color drama I want to create.

Scott Von Holzen

S_V_H Keep on Loving You image2

keepLovinYou_2b

Keep on Loving You consists  of four canvases about five feet four inches in length.  This is an early 80’s piece of music from REO Speedwagon.  Here is a live video of Keep on Loving you:

Since this is a 80’s music I thought I would start this work using a  pallet from that time.  When I think of the eighties colors like Mauve, Seaform green, Plum, Harvest gold, and Cerulean blue, pop up after doing a little research.  You are going to see similar those colors along with other tints and shades of that 80’s look as this work progresses.  Keep on Loving you will not end with a totally nostalgic look, for I am kind-of a color wanderer when needed, and I think I  will find ways to give this artwork a modern appearance.  These tweaks in color happen because I like to contrast colors and objects.

Scott Von Holzen

S_V_H Vivaldi’s Four Seasons Summer Allegro image 5

SummerAllegro5

This is a composite image of the ninth in the series The Four Seasons with music by Antonio Vivaldi.  You are looking at  a very small part of the flow of Summer Allegro.  In fact Landon describes this exact part of this music in his book Vivaldi Voice of the Baroque, . “The goldfinch has trills and very high alternating notes…..” That was a surprising find.

This is the point  that proves that all the measuring, and calculating was correct.  As always, to reach that conclusion, It took some nudging  and small compromises.  There are always these adjustments to the guessing and the planning.  In the end it all needs to fit: the music to the canvas, and my expectations.

This is an early summer work and I am going to throw as many colors that I can blend, mix, or use straight from the tube, to brighten up this image, to present to the viewer a vibrant picture of this time of the year.  I did some of this also with the first finished Vivaldi painting, Summer Allegro non molto,  that is  the lead in part of Summer Allegro. Nothing too special about the circles that represent the musical flow.  For my stems I did  mix complementary colors to help pop the look of summer color.  Now I am on to my musical beams, and again I am looking to build the shifting look of complementary colors.  I am hoping to fit the words, from this part of the summer sonnet,  in the frame you see above.  That one canvas is four feet in length.    Altogether is artwork is another fifteen foot canvas.  My hope is that someday when a first time viewer see this artwork, that they will see it through my eyes, and heart:  some may most won’t.

Scott Von Holzen.