S_V_H My Back Pages Final Image

Two Canvas with Aluminum and wood, 26 1/4 x 17 1/4

My Back Pages is one of the smallest of my artworks, under thirty inches in length, and has the least amount of music. Since there is so little music present there is also little in visual interest.  That is the reason I decided to go further with my use of words in this artwork. I took what I learned from Lovesong, and in a free poetic style I brought words together from different parts of the music.  I deliberately chose words that have meanings far beyond their appearance in the song, and then I placed them randomly.  It is the words that connect this artwork.  I think this trend will continue because it worked so well in My Back Pages and Lovesong.

I cannot but wonder what would have happened with my art if I had not stop painting in the early 1980’s?  Back than I had no connections to the local artist community, and few opportunities to show. Basically, when I started I had a dream,  a few art books, and a spare bedroom to paint in.  From 1975 to the early 1980s I painted a number of portraits mostly from photographs of family and friends. I than ran out of subject matter, and along with the demands of earning a living my artist ambitions faded. In reality an artist prodigy I was never. In truth the drive and the limits of painting portraits,  and the lack of interest in any other alternate artistic genre,  brought it all to an end.   That was back than: “Ah, but I was so much older than, I’m younger than that now.”  Twenty-five years later I found a vision and a genre, music, that offers endless possibilities. The internet gives me the start at building connections, and I now have the time and the money to pursue  it all.  The biggest difference from than to now is that I  finally have the knowledge, the drive, the purpose, the goal, and the ambition to see all this through. As I have said before I am in it for the long run, and I hope you as the reader find this pursuit interesting enough to check in once in a while.

Scott Von Holzen

S_V_H LoveSong Final Image

33.5 inches in length x 19 inches in height. Two canvases, aluminum and wood.

The subject of this artwork,  Lovesong,  is finished.  This is an adorable little artwork. Little also helps to cut the considerable amount of increase time that it takes to put together a three dimension painting.  By focusing on smaller paintings this helps to keep up a reasonable timeline, which good for my focus.  That is also the reason I only do one project at a time: I don’t want two projects to complete for me time.

 

The colors chosen are what I think works for the artist like Adele. I rounded much of the music to soften the look, and to give the painting a more feminine feel. The words are necessary generic, but interesting.  Since doing Gently Weeps, and because of reading the story about the artist Jean-Michel Basquiat,   I have added more words.

I have always thought carefully when adding words to an artwork, making sure that their meaning is more diverse than the music. Adding extra random words has finally lightened up this process up, besides adding interest. The solid color of the background puts the background right where I want it,  out-of-the-way.

 

I remember early in my artistic career  when I took the painting Fur Elise to the located Art Center in hope they  would display it in their gallery.  The work was decline.  The one comment that they made was that they thought the artwork’s interest would be too limited, appealing only to those with a music background.  Today, their point could still be valid. I don’t remember if I responded to them that day.  I doubt I did. Even today I am still not sure what I should have said in response.  I do know, that with each finished painting, I am once again spared the need to know what those words are.

Scott Von Holzen

 

 

 

 

 

S_V_H While My Guitar Gently Weeps Final Image

Two Canvases, wood and aluminum, 37.5 inches in length by 18.5 inches,

I finished While My Guitar Gently Weeps with the word gently. Like all my artworks the words can be found in the music, while at the same time, leaving an opening for other meanings. What is new in this artwork is the number of words and their random placement.

I know this may sound strange but that change comes from the influence of the art of Jean Michel Basquiat, and his free hand use of words on many of his canvases.  This is an  example of Basquiat’s style that made me realize I could save time, and effort, while adding more words,  by easing up on the drawing.  I also saw in my own older artworks,  while taking new photos, how much more loose that style was.  Those early works and Basquiat could  bring this art closer to the music.  That is, If I can update that older style to where I am today.

I can say I painted this music because of George Harrison, and the music from The Beatles White Album, but it is this video from 2004 that reconnected me to this classic 1960’s rock ‘en roll music:

Next up Lovesong, by the Cure and the updated cover by Adele.

Scott Von Holzen