S_V_H When Doves Cry Final image

When Doves Cry 2017, acrylic paint, three canvas panels with wood and aluminum added, 52.5 inches in length by 25.75 in height.

When  Doves Cry is finished and is my second artwork dedicated to Prince.  I decided to do another Purple painting, because reluctantly, I sold the first. This artwork than shares style and the basic color themes from the painting Purple Rain, while expanding the colors and not using Purple Rain’s rounded flat disks for the purple rain.  Instead, for When Doves Cry, I poured the paint to create a better looking and rounder purple rain.  The big difference between these two works is the use of aluminum strips to connect canvases.  This new connection method used by When Doves Cry, for first time,  separates the music from the canvas.  This artwork is the result of an evolution in style that started with my first use of wood with Sweet little angel.

The first Prince painting, Purple Rain, represented a style pushed to its limits. This second Prince artwork, breaks with the past, by opening the door for other style possibilities.  When Doves Cry is a unique tribute to the originality that was Prince and his music.

Scott Von Holzen

S_V_H Mr. Brightside Image 1

mrbrightside_1This is the Wonderful, the uplifting, the emotional charged song,  Mr Brightside, that became more important  to paint once I watched this surprising video:

County Kerry Bar Sings ”Mr Brightside’ to Remember Lost Friend Ger Foley

It was in the last few months of my last and final “job”  that I stumbled on this video. Watching this musical tribute and seeing the camaraderie  brought back memories of the times when I  lived, and worked,  in Northern Wisconsin. It was Up North that I  found a lot of entertainment and friendships in my favorite bars and supper clubs.  Those days are now long gone, but I could not help but drag my co-worker friends (Pat, Kevin, and Matt)  into my office to listen and watch this video. I guess my intention was to share and re-live my past glories, but that did not happen. They watched and it turned out, to my disappointment,  that they were “all wet matches,” (a Mom quote).

Maybe they never drank and sang with friends in a local bar full of  like-minded strangers, or maybe being at work ruins the mood,  Or maybe I over-estimate people’s ability to “see beyond the end of their own noses”. That last “maybe” is a quote from my Mom.  Lastly, and probably the best answer “maybe” my work friends could give a “rats ass” (common phrased used by my Mother), that I valued our friendships.

Then on September 30th months after retiring from “job work” (my first job was while in grade school was I delivering Sunday newspapers in the Ashland Wisconsin winter), I again sent them this video, along with this tweet: “……..the “music” Is what brought us all together. Let us always celebrate the songs of our lifetime.” That move to awaken the walking dead was as silly as their responses.   “I am not going to hold my breath”,  then came to mind, another saying my Mom.   We all moved on to fresh silly bantering.

Obviously friendships have their limits.  Just for “shits and giggles” (must I tell you)  I can see us four friends all in a big white box, with each of us standing in our own secure corners with sarcasm as our only method of communication.  Hey, guy friendships kinda amounts to that level, which than levels off.  Still, I realize that such guy friendships do offer each of us a choice of different  rewards.

Maybe, for me, the real outcome of sharing this video was not to “maybe”  build  deeper connections with three friends, but only to slow the guilt of letting the past fade too quickly away, including losing touch with three valuable friends.

As you can see from this first image, I have taken my color scheme from the video. That tells me a lot about Music’s versatility: A great song can have many meanings, and create different reactions in people. This than is my take on the Music in the form of this artwork inspired by a video: Just “maybe” unlike the video, this painting I call Mr Brightside, that I will dedicate to them,  will break through that “no chance in hell,” (Mom again) wall to eventually build a  stronger and longer lasting connection with my three amigos. …..Silly me.

Scott

 

S_V_H We Belong image 1

weBelong_1Here is the first image of a classic Pat Benatar song We Belong. This is prime Eighties music. This artwork consists of three canvas panels with a length of 52 inches by 16 inches in height.  Looking at this first image of We Belong, the background is a surprisingly sparse in comparison  with earlier works, with a solid black color dominating the artwork and not the stripping.   The influence for this first image for We Belong comes from the Bach Aria artwork I did for Japan.

This is American Pie from 2010, that the Bach client picked for a template. It did not surprise me that they prefer my older style. What did surprise me was the required amount of  adjustment made by everyone involved to make the older look work in 2016.

americanPie_1

When we reached agreement on the background style and coloring, I than went even further back for another idea found in this Mozart work.  It is in this early 2006 artwork where I used a wide stripping to resemble my take on the musical staff or stave:

MozartConcerto21_2006

Here is a musical staff used in sheet music:

blank-music-paper-landscape-long-1

All these adjustments  resulted in a contemporary retro artwork the  Bach Aria work, 2016,

AriaBWV988_ImageFinal

Now, free from the need for approval, I took the Grand Bach painting ideas and simplified the entire background with the color black that works well with this artist.

 

This is the 1984 music video of We Belong.

I could not find a live early 80’s.  This is the best of live versions from 2001:

Scott Von Holzen