S_V_H One first image

This is the first image of the Music Box project titled One shows the primary 3 by 5-foot canvas. Next to it are the 4 10 x 20 inches smaller canvases to be attached horizontally across the main canvas. As for the words on the big canvas, they are not from the lyrics of the music. They are from ChatGPT.

What I did was ask ChatGPT to write me a poem using the lyrics from the song One by U2. I started with two versions and then added a third. Originally, I was going to pick random phrases and sentences from ChatGPT. I changed that idea after reading the beginning lines of one of Chat’s poems. I decided I write those words on the 5-foot canvas. Of course, ChatGPT is using words from the song to create the poem. But thankfully, the only words that stand out from the lyrics are found at the beginning of the poem. All three of ChatGPT’s poems begin with those first four words from the lyrics. After that, each of Chat’s poems separate, picking random meanings and words to fit their rhymes.

Over the years, cautiously and sparingly, words from the lyrics are used in these artworks. Their purpose is to add interest between the music and the artwork. I also pay for the right to cover copyrighted music. I am guessing and presuming copyright may also apply to the lyrics. I wish to respect lyrical rights. So when I use words from the lyrics of a song, they are a few and are pulled from edited phrases or sentences. I then make sure that the words on the artwork can have a commonplace meaning.

Lately, I have expanded the use of words by experimenting with a graffiti style. I now mix up sentences or short phrases from the lyrics. On the artwork I either leave them partially covered up or better scratch them away in order to create an age graffiti wall look. This accomplishes my word use goal, which also includes making sure the words are difficult to impossible to read or connect to the music. The words I used basically end up being a decoration of lettering. If there was ever a complaint, I would update the painting to eliminate any controversy. Everything is about money. So until these works are sold for hundreds of thousands of dollars, I think I am okay with my wordy style for now, and into the future.

As 2022 moved along into 2023, I rethought larger works. I ended the year and early 2023 with two small works, Everglow and Shenandoah. Each used one large canvas sized 16 by 40 inches. These size works are a lot easier to handle, and a little less time to build. They also use a less expensive stereo system and somewhat less in material costs. But their size, Everglow 58 inches and Shenandoah 64 inches, as far as wall art size choices go, these two works would be extra large. I see them differently.

I define them as small works, but that does not mean they are bargain-priced. It takes about a month from start to finish for a new music box, even smaller works. I live in a semi-rural Midwest Wisconsin city, so the pricing where I live, right now I feel comfortable with, is from 1000 to 1500 dollars a week’s time spent per artwork. That then means even the small works are going to be pricey. I would certainly like to sell to my market. My problem is I don’t think it exists. Therefore, I have the privilege of charging what I wish. I also have the honor of not selling as well. As I have said several times: this art is about the art and not about selling a product. Besides, Although I have tried that idea in the past by creating very tiny music works. Of all of them, I sold two small Beethoven works, one for 150 and another for 300 dollars years ago. The last on display of these tiny, now classic works, was recently at a winery down along the Mississippi River. I priced them to sell at 600 to 700 dollars each. That pricing was on the high side for what sells in this gallery. Of course, nothing sold, nor was there a word of interest heard. Thankfully, I have all three little works back and safe in storage.

Image at a Winery show this Spring. I hung them to support my art group. They failed to sell.

I guess I am free to return to working on larger-sized projects. For 2023 that is what I am now doing. Of course, I am lucky to have a new larger vehicle with more space. That will help my new projects to be bigger, but not too big to travel.

Scott Von Holzen

S_V_H JS Bach BWV 974 Adagio final

J S Bach BWV 974 Adagio
≈H79 x W29 x D3.5 inches

I have a few other vertical artworks, including Will the Circle Be Unbroken, Schindler’s List, and an early Patsy Cline artwork titled Crazy. On this project, I increased the tempo (no longer Adagio) of this Bach piece to give it a more upbeat modern sound. Doing that allowed me to go vertical so I could cascade the music. Turning around from my computer screen and seeing this vertical artwork for real is a different experience. In the studio, its depth is obvious. In print with a white background, everything looks flat and 2 dimensional. That is an ongoing display issue that I feel I can now change because other things have changed.

Since 2013 I have been selling prints of my artwork on Etsy. I have also sold prints until recently on Amazon. What that required me to do is to cut the artworks out of their original backgrounds to print them on a white canvas matte. That was easier to do when my artworks were simple, all-inclusive rectangles. Over the years, the time spend cutting them out grew to many hours when I started working with wooden notes and metal frames. Those newer artworks happened because I wanted to add more depth. I wanted to better represent the width and depth that is music. But that change did not sell on Etsy.

What became obvious over the years with my Etsy sales was that my older, simpler, and rectangle-painted only artworks were the only images that sold. Lately, I have quit adding my newer works to my Etsy Catalog, because these works, with their ever-increasing depth, do not show well on a flat print. Until recently with Shenandoah, I still was cutting them out of their original background when displaying them on websites and applications, which still required a white background. Now, I have found, with the help of just the right shade of background gray and with the help of Photoshop, a better way to image my artwork. What I am doing is keeping the original background. That means the photos of my artwork now include the original background along with the artwork shadowing. This then improves their three-dimensional presence.

I do not think I am going to start another vertical artwork similar to this one. Instead, I see this project as offering me a new direction, moving away from my so-named, by another, boxy look. The problem with that is with the use of all these rectangle canvases, besides reducing my inventory, they easily added outstanding depth to my artworks. Their use allowed me to create large works that are strong and sturdy, making them easy to store and travel with. Right now I have no clue what direction this new direction will affect my direction forward. What is known is that I will continue to take this art from here to there.

But that is enough of that. Below is a 9-minute video that I even found interesting and fairly entertaining. It tells a little more of the story of this Bach project and the artist as well.

Scott Von Holzen

S_V_H J S Bach BWV974 Adagio image 3

Near finish JS Bach May 2nd
≈ W29 1/4x H74.5 xD3 inches
Image was taken on April 30th of the laying out plan for the notes

I have here a near-finish audio for the music box. This audio will play a lot louder on my Bose speakers than what will be heard coming from the artwork. Of course, the reason it will sound different is that I have, once again, returned to using the simpler 2-watt Stereo System to power the two 4-inch 4-ohm speakers. Actually, for it is easy to accommodate when displaying these artworks, the host’s concern always comes down to this: “How loud is the music? Can you turn it down?” Some day that reaction will be the opposite, but I probably will not hear that in my lifetime.

I will sign this artwork tomorrow and shoot an Instagram video and a longer detailed video to go along with this project’s final thoughts, along with some added comments on where this art is heading. The plan then is to take a few days off before starting my next project. I think I will be returning to larger works (I’ll explain) maybe starting with the song One by U2. But, there is a big but, for I will have to see what mood I am in, and what other music I may stumble onto.

“Stuff coming out, stuff going in. I’m just a part of everything” Peter Gabriel

Scott Von Holzen