This is the fourth image of this artwork showing the entire flow of the music. Next up is the non musical add-on wood items to give this artwork interest, and personality.
Scott Von Holzen
This is the fourth image of this artwork showing the entire flow of the music. Next up is the non musical add-on wood items to give this artwork interest, and personality.
Scott Von Holzen
This is the third image of the music I will Always Love You. I think I have now found a shade of brown that visually works with the turquoise, for this commissioned work. Because of the number of music pieces needed I also had to cut their size to keep this artwork under the planned 48 inches or less. I used eight inch canvases for this artwork, which resulted in the background being a little too large in comparison to the music. Saying that I probably should have used six-inch canvas. Wow, that surprises me.
Only a couple of years ago did I lose the idealism of my youth that painting bigger artworks would have a larger impact, and would fit nicely along with the other big works in a contemporary gallery at the Museum of Modern Art in New York. I think the finishing of the Vivaldi Four Seasons paintings, in early 2015 drained my want to paint big. Also, there was the dramatically increase in shipping costs, the difficulty in storing large artworks in a limited storage space, and the realization that my patron class had small walls for artworks and even smaller wallets. My smartest move became to paint small. To become one of the greatest artists the world has ever seen, you first have to be seen, and not just stored.
Here is a nice tribute video of Jennifer Hudson singing I Will Always Love You:
This image shows the most difficult part of this music theme. I could have saved a lot of time by using a third canvas to place this music on. I did not want to. That would have made this music too typical by sitting on top of another piece of boring canvas background. I like the effect and the challenge of letting great music float about and around the background. Doing this brings this art form closer to representing the fluid movement of music. Still, the canvases stabilize the music, make the artwork portable, and give a neutral back drop. That makes them useful. For now, I am going to let it stay that way.
The requested colors for this artwork are turquoise and brown. That combination would not be a first choice. I started by painting the canvases a medium brown. I did not like that look. Brown is not a color I associate with the unrequited love theme. I painted over the brown using different shades of turquoise. Visually, that worked better. For the music I used a different brown that I applied in transparent layers. I still would like to cut the overall impact of the turquoise background. I could do that by using different shades of brown and small pieces of brighter accent colors.
So it goes.
Scott Von Holzen