S_V_H Vivaldi’s Four Seasons Summer Allegro image 6

SummerAllegro6

Vivaldi’s The Four Seasons Summer Allegro this is a near finished work.  I need to worked on better defining the words which translated are, “The North-wind appears nearby and suddenly,”  Then after painting in the ‘threes‘ I will move to cleaning up this fifteen foot image.  An important part of this work, because of the words is to make sure to add a lot of movement in this work.  You see that effect, in the musical ties that look like tall grass swaying in the wind., along with the color contrast with the background, that creates a small visual simmering. Then I added more speed in those little circles inside the music, which all rotate clockwise, across the canvas.  I do not see much else to create more motion except maybe the  shafts if I make their look solid with greater color contrasting.  Not sure that would be worth the effort.  I may try some ideas to see if the results are worth the time.

The question I ask is can this art be displayed during a live performance by professional musicians?  Is this art good enough that gifted musicians are not offended?   I know that this art works when seen while the music is heard, but I have not made that public step, to prove that connection.  I have made an inquirer to a local Orchestra but have heard nothing back.   Maybe a greater understanding of musicians would help to move this art to the next level.  I am not sure, but it may help this art if I had more opportunities to speak and listen to more musicians. I guess what I am debating here is contacting, once again, the St. Paul Chamber Orchestra. They are performing Vivaldi’s four seasons several times in February and March of 2014.  Would it not be nice to take, at least one of the Winter Vivaldi’s or maybe all three, to one of their performances.  Would the art and I look silly even trying?  Should I even contact them?  Somehow I must.  I will compose a solid well reviewed email that hopefully works around these issues, just to see, what they might say or do.  I may even get a reasonable answer to my request. If nothing else it will add an adventure line to this story.

Scott Von Holzen

S_V_H Keep on Loving You image3

keepLovinYou_3

Keep on Loving You consists of four panels with an overall length of five feet four inches. This artwork is one of my new series  I call my mini-works. This background is now ready for the music.  I have tried to use many 80’s color shades for this part of the work. The thought is to give each canvass its own feel.  I believe I achieved that in this artwork. Next up I will be drawing in the flow of the music.

As for the color scheme for the music, ah…….I have not a clue. Picking the note color usually happens in a moment. I look at the work, and look at the colors that I have not use for the background, and I then find one that either stands out, or blends in, depending on what I believe is the overall feel of the music I am portraying.  So, is the music is in your face, or instead does it shy away, that is how I decide the colors to use for the music.  I then focus on the flow of the music. The moment that this artwork portrays actually decides the mood and the color drama I want to create.

Scott Von Holzen

S_V_H Keep on Loving You image2

keepLovinYou_2b

Keep on Loving You consists  of four canvases about five feet four inches in length.  This is an early 80’s piece of music from REO Speedwagon.  Here is a live video of Keep on Loving you:

Since this is a 80’s music I thought I would start this work using a  pallet from that time.  When I think of the eighties colors like Mauve, Seaform green, Plum, Harvest gold, and Cerulean blue, pop up after doing a little research.  You are going to see similar those colors along with other tints and shades of that 80’s look as this work progresses.  Keep on Loving you will not end with a totally nostalgic look, for I am kind-of a color wanderer when needed, and I think I  will find ways to give this artwork a modern appearance.  These tweaks in color happen because I like to contrast colors and objects.

Scott Von Holzen