S_V_H Keep on Loving You final image

keepOnLovingYouFinal

Keep on Loving You this five foot 4 inch artwork look is more interesting, to me,  than the original music.  I think I could have reduced the physical size of this work, but the canvas I used gave me the extra room, (that is rare in most of my musical portraits), to let my slurs, those huge almost circles you see above the musical flow, a chance to really express themselves.  I had the space so I used it to their advantage.  Those slurs come straight out of my last Vivaldi painting.  I have realized that if done right my slurs do not need any squiggly lines. That is how it works: I am learning as I go.

Originally, I was going to go with the words “I’m Lovin’ you,”  but strange the word ‘i’m’ I could not find any space for on the first canvas, so I dropped it.  Lovin’ you, says it all, covering a lot of territory.  I see it is important to paint more than just one Vivaldi after another.  These little works offer ways to try to maybe explore painting techniques I am trying to do on the large work.  When I see that a new idea works on a 15 foot canvas, I then know I can move that idea to a much smaller work, and see a greater effect of that idea on a small surface, which carries with it a bigger impact on the artwork.

I like this artwork, it has that look.  Now on to another Vivaldi.  This time it is the late fall movement.

Scott Von Holzen

S_V_H Keep on Loving You image4

keepLovinYou_4

Keep on Loving you has been held up because of the Vivaldi I have pushed to complete.  Now over the next week I plan to move forward on this small work.  This is a spec work.  The person who requested this work will be able to buy this work for one-third less than my asking price, when finished.  I do not do a lot of ‘suggestions’ but at times they offer interesting challenges, to try to match the artwork to the customer, and to make a possible sale.

So what is going on with this work?  First,  I have been, and will hopefully continue to use,   a pallet that consists of a lot of the colors that where popular in the  nineteen eighties. The next step is to put in three rectangles along the bottom.  Then comes the fun part, playing with what music notation calls ‘ties’.  In music a tie is a curved line connecting two notes or more.  For me I have my own ties, and they have their own look, that has nothing to do with music, but are there to create interest, making the flow of the music more entertaining.  That how it do it.  Finally, I drop in some words that can relate to the music, but that are generic in themselves.  Lets see what happens.

Also, I have started a site on Etsy, call ArtinMusic  where you can buy a canvas print from over seventy of my works.  I have also added this work  as a print.  If you pre-order Keep On Loving You it will be at a discounted price.  That discount decreases the closer this work is to completion.  Right now you pay only $30.00 for a finished print,  instead of  final price of $50.00.  At the Etsy site you will find all of my greatest hits, mostly priced at fifty dollars each.

Scott Von Holzen

S_V_H Vivaldi’s Four Seasons Summer Allegro Final image

SummerAllegroFinal

This 15 foot 4 inch monster that began on July 3rd is now finished.   I am glad to move on. That only leaves four more Vivaldi’s to do and the set of thirteen is complete.   A good guess, for the finish of this project,  would be something in June of 2014, or probably July of 2014,  just in time for a needed vacation.

I do not have many thoughts lift about this work, because I have worked on this one work almost three months.  Here is what I can say:  it is big, it is diverse looking, and it represents the best effort  of this artist.  That is so far.  You could remove the bolts from this work,  separate them, and it would look like each canvas belongs to another artwork.  That I find fascinating and a direction I plan to keep developing to see how far it goes. Because as you know the real quest of this artist is to find out how it will all end.  Although the canvases are each unique you cannot but see that when they are all put together, it works.  I am sure those of appreciate this music will wonder why I pick the phrase that I did from this music considering how powerful most of the music is, and this is not.  This phrase of music, about 10 seconds,  is the sound of a little finch chirping.  I use it because this part of the movement is unique in the concerto.  There that is it, which you will be able to see, and hear,  when I post the walk through tomorrow evening.

Next up is the last of the Autumn  movements completing the first of the four concertos.  It is also called Autumn Allegro.  So the fall concerto starts with Allegro and ends with Allegro.  Maybe I will have to call it Autumn Allegro last movement.