S_V_H Vivaldi’s Four Seasons – Winter – Allegro Walk Through

Vivaldi’s Four Season RV 297 Winter – allegro final work.  Last night I signed the back in two places. This painting  will soon be taken apart, and stored in two large pieces. I have no walls large enough to accommodate this work, so it will disappear and only reappear when the entire sires of Vivaldi’s The Four Seasons paintings, all thirteen of them, make their public début sometime in 2015.

In a day or two I will take a  final portrait of this 18 foot canvas, outside.  This is possible because  today we are having our first Spring Day.  Interesting timing:  the end of Winter, occurring with the finish of Winter Allegro.

It was time to move on.  This work began on February 4th.  I think, the painting and I where both tired of each other.  Everything  just reach a point, where I had nothing else to offer it, and it seemed all right with letting go.

Scott Von Holzen

S_V_H Vivaldi’s Four Seasons – Winter – Allegro image3

4SWinterAllegro3

Vivaldi’s The Four Seasons, Winter Allegro. This painting consists of 10 connected canvases for a length, just under 18 feet(5.48m).  The only objects left to add are the nine natural incidentals, which at this writing have all been drawn in, and are now being painted it.   To my surprise I am using different shades of green, which I will explain in the final image blog post.  Once done,  the entire focus of this artwork will move from construction to finishing.  This phase brings everything together,  to improve the appearance and to add contrast and interest.

I was a kid the grew up in the beginning of space exploration.  I remember having a cardboard mobile of the solar system hanging from my bedroom ceiling.  My favorite planet, to this day, is Saturn. Maybe, because it starts with an S, like in Scott, or maybe it was because of the rings. I never thought of becoming an astronaut, and the telescope I wanted for Christmas, never arrived.  My fascination of  going out there, however,  has never gone away.  Of course,  now I can afford to buy any telescope I wish, but I would not, because that moment has passed, and I am much to serious today, to feel the passion of first discovery,  which I would have felt way back then. That was an importunity, now lost.

That brings me to this artwork and those shaded circles you see in the above images.  First, in the image above on the right side, is an eighth note, which in music looks like this:eighth note

The part  that comes of the stem is the flag, but I now like to think of that part as a sail.   I see these notes as big helpers to push the music across the canvas, so in whatever form of a sail that works, I make the eighth notes a high point of interest.  So, that brings me back to those shaded circles that are all around these eighth notes.  To me they are bits of music. But unlike, the shaded circles that represent my vision of a musical notes, these other circles have actually nothing to do with the music.  They are there because, I put them there, to float and flow across the canvas.  They can represent pieces of music,  or maybe small  planets moving through  the vastness of space. I like to think they are both.

S_V_H Dave Brubeck Blue Rondo á la Turk Finalimage

BlueRondoFinal This is the Final Image of Blue Rondo á La Turk. These 8 canvases, that make up this work, contain a piece of the music, that when arranged, as you see in the images above, produce the flow that is Blue Rondo. This sectioning of the music gives me more creative options, enhancing the overall look and emotional impact to a greater extent than canvas based on one look.  Each piece can stand out, but still remain part of an even greater whole.  A universal theme, I do believe.

In the past the look of an artwork was fairly consistent even across multiple canvases.  For examples take a look at Thunder Road, Hallelujah, or Body and Soul, all from 2011.  This trend continued through 2012 with Four Seasons Autumn Allegro, completed in December and  pictured on the main page of the website.  This pieces  look of Blue Rondo first showed up in early march, of this year,  with The Pretender.  That trend showed its strength with 2012 Christmas painting, Let It Snow.

TakeFive

Take a look at the only other Dave Brubeck piece, Take Five,  from March of 2006, and you will see how far this art has changed. What a different 7 years can make.  According to the words of  Robert Frank, a photographer must have both a sense of Purpose and a sense of Passion. I cannot help but think that is the same philosophy that drives every creative person and what pushes this art. Everyday, I interact with people who have purpose but no passion, and regrettable that has become a learned and a reinforced behavior, in today’s disposable work place.

Scott Von Holzen