On down are some image so the viewer (if one is to be found) can see how long it took for this artist to arrive at My Foolish Heart’s art ridiculously long artsy art form (I was told) Interactive Constructed Installation.

I have to add, a lot of time and effort and thoughts of “can we be done,” went into this one artwork which is composed of four separate artworks that all need to play and light in a row, starting with Spring, Summer, Fall, and Winter. I was a hard focus technical that was needed for this to work. The artwork was actually shown in a wine bar for a month or so. Then I got the call to pick it up. No feedback, no comments (except during the group show reception), but I have not recall, and now if you look at the image above this great Vivaldi piece ha ngs in my Studio. It is too big to store.

This image from the Studio on May 13th 2026. shows on each side of Drive two works I was building together in order to apply with time to a up coming deadline in an exhibit. It is From the Start I decided to split up my staff into three pieces and to attach the songs words, “Blah, blah, blah, underneath. The way Laufey sang those words made me think I would like to transform her way of saying these words into a more visual connection. That was when made the metal frame flexible that hold that attached staff, and this allow me to move those three little staffs into more dramatic positions. That then carried over a little in Adelle’s Rolling in the Deep.

Scott Von Holzen