S_V_H Have yourself a merry little Christmas Image2

haveMerryChristmas_2

This is the second image of Have yourself an interesting, and kind of special merry little Christmas, if you wish.  The enlarged image looks bright.  I had to turn around from this screen to take a second look at the painting on the easel.  I think it is the custom blue color,  I mixed for the music,  that is popping everything.

I wrote down five colors on my worksheet that I wanted to use for this work.  Those colors, nothing special, are green, blue, red, white, and gold.  I added the two white stripes over the reds, from the first image, for I thought in this way I could cover  the colors white and gold. I went with the all white to give this background that special Christmas look, and later pulled some gold across to increase the Christmastime appearance.

I had some difficulty with the shading of the lines that I  first carefully planned. I finally had to damp wiped it all off.  I then drew in loosely some curve lines, with a few straight to counter, as I move across the canvases. I ended up using the same colors for the stripping and the shading.  This did create an interesting effect on the background, but I am not sure exactly what I am trying to accomplish.  This may be an idea that may eventual evolve into something that represent some aspect of the music. For now what I see is not hurting the music,  so it is worth seeing where it can go.   The way this work is progressing I may be done in a couple of weeks, which would be a pleasant surprise.  What helps is that the structure of this artwork is simple.  If this work completes on time I can see this as a move towards an accelerated pace for development, and promotion in the near future. There may be some exciting times ahead,  although predicting the future may be better kept to oneself.

Here is a cover by Kelly Clarkson singing Have Yourself a Merry Little Christmas:

 

Scott Von Holzen

 

 

S_V_H Have yourself a merry little Christmas image1

haveMerryChristmas_1Have Yourself a Merry Little Christmas is the  theme for this years Christmas painting. When completed I will then put together a Christmas card to be sent to those who purchased a painting from me.  Inside that card will be a small canvas print of Have yourself a merry little Christmas, signed and numbered.

This music was first introduce to the public by the beautiful 21-year-old Judy Garland in the 1944 movie Meet Me in St. Louis.

Here is an equally beautiful and talented Christina Aguilera along with Brian McKnight:

This first image show the finish of the basic background.  What I mean by basic is that this step is about putting down paint across the artwork, with the goal of covering up much of the white canvas.  Next up,  I will be taking what I learned in the last artwork, and  break up the horizontal striping using curved and straight shaded lines  This will add some interest to the background, and may even enhance the sense of movement of the music across the artwork.

I have said this a in a number of my blog entries,  that a major goal of each of these paintings is to try to emulate the music the art is portraying. That is pretty hard to do with out sound. Previous efforts  by artists to depict music mostly as abstractions, I believe, have missed this point:  an artwork may be depicting a Mozart Sonata,  or it could as likely be a scenic image of a Kansas dust storm just before a thunderstorm.  For me musical art is not an abstraction, but something that is real, and that visually depicts each piece of music in a unique way that connects the art to the music.  All of these artworks work to represent that singular look, and  feel of that one piece of music.  The success of each of these artworks brings me closer to my goal of picturing music’s spontaneity, emotion, and uniqueness, in a static, and silent art form.

Scott Von Holzen

S_V_H Heaven’s Wall Final Image

heaven_Final

Heaven’s Wall is finished. This little work, only 40 inches in length, turned out to be an experimental artwork where I changed up my style.   One new change occurred in the background where I added curved lines on each panel. I then shaded along those lines to blend out some of the stripping. This accomplished three things:  added motion to the background, broke up the stripping (a more musical look), and finally created overall a large amount of added interest.   This I followed up with another exercise in drip painting.  Although I answered some questions, and accomplished what I wanted to,   I still do not have consistent control, or a comfortable feeling towards dripping.

That first flow note on the left I manage to create a different look based on an earlier work, Fine and Mellow.  I like the use of the colors pink and green around that note,  Those colors where also used in the far right panel, which helps to unite the three canvases.

Heaven’s Wall is my first artwork that has a feel for Gospel music, although I probably would not say that this is a Gospel piece, more Rock than church choir,  the music certainly is up lifting and the words do have a Gospel message.  The decision to paint Heaven’s Wall came easy.  I was out walking, and wondering what I was going to paint next, when this song played in my headset.  I ignored the fact I had recently finished another Bruce Springsteen artwork, The Ghost of Tom Joad,  maybe because the timing of the music fit the time I was in at that moment of choice.

Tomorrow,  I will embed a video about this finished painting in this blog.  In that video I could say something which inspired me to create this painting, but I will probably not.  At this point my only thoughts are I am glad the project is over,  lets clean up,  and put together the next  artwork, to see if I can do better.

I start each artwork with lots of enthusiasm, purpose, thought, and dedication.  When finished  all that euphoria that went into the painting has all emptied out, in what you see in it.   The finished work is then left alone on the easel, waiting its turn to be slowly moved about, from here to there, until it finally finds its self stack, losing its identity,  one among  all the others.

Scott Von Holzen