S_V_H Love is All Around image5

 

loveAllAround5

I am finally starting to feel that this work is taking on its own uniqueness. This work started out with a unique physical look that I liked. The problem has been how to paint this love song in a way that expressing the love in this music in a way that connects this painting with that one piece of music. I believe that work done on the far right panel has made that happen.  That fourth canvas reminds me of a similar panel from Up On The Roof, but these ties and slurs have found their own expression.

Every artwork needs to make its point in order for me to feel that the time and effort spent on each piece of music did improve my understanding of this art form. Since these pieces are one-of-a-kind, that means even though they share parts and styles of earlier works, they somehow find some new way of expression that makes it unique. Each new painting adds an indispensable paragraph to this artist story. That is an intrinsic goal with each painting.

Art can be complicated, or it can simply be wall decoration. My choice is to paint complex. You the viewer will grasp an understanding what pleases.  I do offer clues and familiarity that can show the way, but for many that may not even be necessary.  My art is in one way like Egyptian hieroglyphics.  My paintings of music, in their own way, could resemble the beautiful figures and symbols carved into those ancient stone walls. Few people know what the meaning of the hieroglyphics, but they do know is that they are depicting something that means something  special carved meticulously into the stone thousands of years ago. This art is not that, old,  complicated, meaningful, or meticulous, but it does speak, at times beautifully in its own unique way, the history of music.

 

Scott Von Holzen

 

S_V_H Vivaldi’s Winter Allegro Non Molto Final image

vivaldiWinterAllegroFinal

 

Vivaldi’s Winter Allegro Non Molto.  This was a forever painting. Forever to finish that is.  Soon after I took this photograph, with Barbara’s help, we placed it in front of a large stack of canvases.  Because it is over seventeen feet in length I could not hang this artwork.  I am not sure if I will ever see this work on any wall. That is the way it is. This large artwork is a part of the lengthy Vivaldi Four Seasons art series.  Now, there are only two more paintings that I need to create.

I am looking forward to Spring’s first movement. I am seeing bright flashy colors of shades and tints of violet,  rose, and purple, bouncing around in my head. When completed you will know it. There will be no questions which season this painting is about.  I have looked at a lot of lilac bushes and flowering crabs, that are now all faded away, and that is about it. This means I am behind schedule.  Once I start and then finish  Spring what is left is the third movement of Summer. it will probably be late, late summer, before that work is near completion.

The walk-through for the 11 painting in the Four Seasons series.

 

 

Scott Von Holzen

 

 

S_V_H Love is All Around image4

loveAllAround4

I have made slow progress on the artwork Love is All Around because of the coming of summer and the need to finish a Winter Vivaldi that I started January 5th 2014.  I have finished the Vivaldi. I think this seventeen footer and I both agreed that it was time to move on.

The big issue with Love is all Around is the struggled I have had with the staffs of this music. Usually, I spread light colors over a dark background and quickly finish the staffs.  That idea, although, did not seem to me to fit this work.  In the past I have used little boxes of contrasting colors for my staffs.  You can see a lot of this technique on the great painting Autumn Allegro 3rd movement Vivaldi.  I also used this same style for the ending notes of the Take Five artwork.  I am guessing I carried over that influence to this work.  My problem became my color choices.  This lead me to repaint the strips several times, which has slowed the progress over this last week and more. I am not sure if this will be the final changes to the staff colors, but for now I am moving on.

I believe I am correct that the client mentioned to me to not use any pink in the painting.  Well, in reality pink is a tint of magenta with added white to lighten.  In this work I could not resist using magenta. This is a love song, and too me magenta and love go together nicely. What I have done is use the solid color of magenta to stay as far as possible away from any perception of the ‘pink color.’

When I was discussing this painting with the client she mention these words “You gave your promise to me, and I gave mine to you.” which I can see how this could be a favorite part of the music. They speak to love between two people. I looked at these measures, but I could not find enough interest to work with.  I did find another section, near the end, which I made the choice for this artwork. Here you find the words, ” So if you really love me come on and let it show.”  This is a strong voice of expression, and the need for and to love.  At this climatic point in the song the music also showed a lot of interest. The choice then was easy:  words with meaning, and artistic potential.

I have a way to go.  I am not certain that I have a total understanding of what this artwork is trying to say or want from me. That means there is still a lot of work to do.

Scott Von Holzen