S_V_H The Ghost of Tom Joad image 1 & 2

the Ghost Of Tom Joad image 1

 

 

The Ghost of Tom Joad image 1

The Ghost of Tom Joad image 2
The Ghost of Tom Joad Image 2.

I am painting this Bruce Springsteen song because I like the music and the words. The name in the title ‘Tom Joad,’ comes from the main character in the book Grapes of Wrath by John Steinbeck that is set during the Depression. Springsteen updates the struggles of Tom Joad through his ghost.  He expressed his feelings for this music at a Madison Square Garden Concert in 2009, “…..If Woody Guthrie were alive today, he would have a lot to write about,  high times on Wall Street, and hard times on Main Street.” This music is still relevant today, with the worker that punches in struggling to stay in middle class, still  believing  that hard work, with determination, and effort will result in success, and a prosperous life.  Bruce might have said it best about the American Dream in his music, “Is that you baby, or just a brilliant disguise.”

The Ghost of Tom Joad started out as a simple single canvas artwork 20 inches by 40 inches, which was chosen for it is a nice standard rectangle artwork they would be easy to frame. The first image shows that rectangle with blends of Burnt Sienna and some basic striping.  Soon after I realize that the way I had mapped the music left little room for the words.  All I could picture was a crowding of words, and music in small parts of this work,  while leaving large expanses of canvas with little interest.  I also could not avoid the inescapable conclusion which was that this canvas looked boring.  It looked like I was trying to cut corners. I am thinking I, at first, wanted to speed up the process of creating that was so drawn out with Fine & Mellow. I halted that thinking, and that is what you see in image two.

For these early images I wanted to use some base colors that I believe would be the foundation for the music similar to what I have seen on the cover of the album The Ghost of Tom Joad. albumCover

Here is another version of this great Bruce Springsteen song:

 

I have painted, in the past, a few other protest songs. Two early, earlier, works are For What its Worth, and Fortunate Son. These two artworks represent  the sixties, Madison Wisconsin, and Vietnam.

For What’s it Worth:

For What Its Worth

Fortunate Son:

Fortunate SonI received an Interesting comment about this work.  A long time ago I was using an image of Fortunate Son as my background on my computer, when another worker saw my screen and commented that it look like a picture of a watermelon with seeds. No no, I said,  but to this day I am still surprised that Fortunate Son has not sold considering that it appeals to not only the artsy elite but to the food crowd.Waist Deap in the Big MuddyWaist Deep in the Big Muddy, is a small early later work. This one was to protest our invasion of Iraq.

Since The Ghost of Tom Joad is also a small work, next up I am going to push my technique of spreading different layers of color to see what look I can create.  Also, if I can figure out, what I want to try is paint dripping. This is going to be an experimental work, that I am not in a rush to complete, for things are bound not to go right the first time.

Scott Von Holzen

 

 

S_V_H Fine and Mellow Final Image

+fine&Mellow_final

Fine and Mellow is finally finished. For its size this painting took forever to complete. Well  at less it felt that way.  I must admit things drag on way longer after I heard of the death of B. B King.  At that moment I could not stop spinning the Blues. Since Fine and Mellow is a Billie Holiday Blues song, with a great video, and B. B. King is the Blues, the Blues kept flowing through me. It is if it was hard for me to let go. I could not move on. Surely, during this time the death of my favorite Uncle, Walter, and our cat, Roxy, must have played a part. And yet there must come that moment, that we all understand, that Life is for the Living.  So this is it. After I post the blog entry, I am returning my music choice back to Quick Mix on Pandora, letting everything go including letting B. B. King fall back in place with the other 99 channels on Pandora.

Fine and Mellow, consists of three canvases about 20 inches by 50 inches in length. All during this painting, I have had  my concerns, after watching Billie Holiday sing this song with such great accompaniment, that I would have a hard time capturing that music. Of course, as always, I have to remind myself. I know that every painting starts out as if it is all about the music, but they all end up in some way a tribute to the music, but more so, an artwork that stands on its own merits. Sometimes I wonder  if the music is my excuse to paint another painting.

Looking at Fine and Mellow, it looks its best when the lights are lower which allows the background to stay dark. The brighter colors of the music are still there, but all those blues, in the background, take on more depth with the lights turned down. Surprisingly, What stands out with this work is the background. For a change I let the music flow float behind the background layers.  What caused this change in thinking was that the artwork looked boring compared to the black and white video. The stripping across the music woke this painting up.  At first I striped only the music flow, but that changed, and by letting the music blend more with a background, this painting found its own way to stand out from my other works.

This is a second final image, that I finished this morning. I added a lot more stripping across most of the major parts of the music, causing the background seep a lot more to the surface, and finally creating the look I wanted from the start.

fine&Mellow_finalb

The nice parts of this painting are my use of the color yellow and those shades of green. The words I consider to be well done, in how they blend into the background, an important part in helping to define the feelings of this painting. But the winning aspect of this artwork, and the biggest improvement is without doubt the strong emphasize given to the background stripping. All those different colors and shapes in the stripping greatly effected the mood of the entire artwork  with the added feature of filling in empty spaces with interest.

In the video you see this back-en-forth between Billie and the musicians. One of the goals of this artwork was to recreate that movement with the contrast of the background with the music. Like in the video, everything has to come together to succeed, and hopefully that is also happens in this artwork.

To end this blog entry and this special Time with Billie’s Fine and Mellow, how about spending a few last minutes with the Blues and B. B. King,  singing “When It All Comes Down (I’ll Still be Around)

 

Scott Von Holzen

S_V_H Fine and Mellow image3

fine&Mellow_4

Fine and Mellow has been slowly coming together. The words for this artwork are, ‘love so fine.’  Billie’s words are, “He’s so fine and mellow.”  I have filled, with a few extra pieces of music, that colorful bowl on the far right, that ties the music.  Also, I would have liked the music flow, the circles, to have been larger to fill more of the background space. I did enlarge the  music from my original plans, but that had it limits.  What I have done since this image above, is in the spaces between the music, I have added extra stripping. Hopefully this adds interest, and improves the feel of a dark, imaginative, smokey bluesy atmosphere, of this artwork.

The pace of this artwork has been so slow, because much of my free time, my artist time,  has lately been consumed by practice, not my drawing skills, but expanding my musical skills. My artistic focus is music. Music to listen to, music to be painted, and now music to be played, on the piano, the alto saxophone, the violin, and the blues guitar.

The violin  is new to me, this last spring. I eventually see it playing Classical music.  The alto saxophone, also new a month or so ago, it is my Jazz instrument.  The blues guitar, came out of nowhere when I heard of the death of B. B. King.  I did play the folk guitar in college, so I have some history with the guitar, but playing the Blues, where all American music begins, will be my newest experience with music. The Last instrument is the piano. I have played a little keyboard, on an off for years, starting at the age of 7 years with the accordion.  My thinking is the piano is to key to understanding music theory, and is the instrument that, for me, brings everything about music together. The piano plays it all from B. B. King to Vivaldi.

Fine and Mellow is near completion, for I really do not know what else I can do with this painting. I would like to do more with it, but I am not sure what.  That means, pretty much as is,  I will have a final image out in a couple of days.

Scott Von Holzen