S_V_H A Great Big Sled Christmas 2014 image2

bigSled_2

This is a late 2nd image of A Great Big Sled this years Christmas painting.  Looking at the image you can see that most of the major items are in place.  For those parts that I need to paint in I have some basic ideas of what I am going to do.  With my version of 8th notes I am looking to fill space and add interest. By using a long curve shape this will animate the music across the canvas, which is similar to many of my artworks, where I create sails out of my notes.  When I create a musical artwork a static look is not excusable.  Maybe that is why a lot of art based on musical themes are abstractions.

My words ‘me in the sled,’ say something different from the music, which is what I always try to do in my word choices. My words intentionally go in a different direction from the music. The viewer hopefully seems them as a curiosity.  They are a part of an artwork, that starts out as a tribute to a song,  and ends as something more out of something else, that maybe on its own appears to be rather mundane or boring.

It is interesting that the  music that I portray, ends up being little influenced by the real music I am portraying.  It is like I am using music as an excuse to paint an artwork.

My love of music makes my love of art real, and not a reproduction in a book.

Scott Von Holzen

S_V_H A Great Big Sled Christmas 2014 image1

bigSled_1

This painting, like all by artworks, is a tribute to the music of the artists that have given us songs to remember. This years 2014 Christmas painting is A Great Big Sled from the musical group,  The Killers.

Since I have been slow to blog lately, the image you see above is a lot further along than my usual image one. This artwork is composed of five canvases with a length of sixty inches, and a height of just over twenty-seven inches.

This is the eighth in the Christmas series. I had to do some research to find all the previous years artworks.  Here is the list:

2006  Joy to the World (I know this is not a Christmas song, but the title certainly fits that time of the year, and I liked the music of Three Dog Night)
2007 Winter Wonderland (a standard, Bing Crosby)
2008 Sleigh Ride ( a fun song)
2009 White Christmas (the greatest Christmas song, Bing Crosby)
2010 What Child is This (a strange choice that year, not my style)
2011 The Christmas Song (one of the best, Judy Garland)
2012 Let It Snow (my favorite Christmas look)
2013 You Raise Me Up (A tribute to Uncle Walt)

I choose this years Christmas painting early this year. It is these words form the chorus that made the decision easy:

” I wanna roll around like a kid in the snow. I wanna relearn what I already know.”

Those two lines took me back, reconnecting me to the boy I once was fifty years ago.

I appear to not be in the Christmas spirit yet, for I have not enthusiastically worked on this artwork. That may be changing for I need it done.  Once finished,  I can than photograph it, print copies to canvas, and send out this years Christmas Card, signed and numbered, before the Christmas mailing deadline, to all those that have purchased an artwork. That sentence exhausted me.

My overall feelings towards this work so far, are that I am not crazy about the design look of the music. It appears to be a little awkward.  I do like the heavy use of gold and silver which I consider perfect for a Christmas theme.  And finally, the most interesting part of this artwork is those lower images surrounded with multiple circles.

When I played this music for people there was the suggestion that I include the sound of the bell that you hear, that now appear along the lower part of this painting.  It was that suggestion that changed my  original choice of music. I move away from the lines I quoted above. Any of those choices would have been much smaller and easier to do. My original plan for this years painting was to do a small canvas similar to the Let it Go, and Fly Me to the Moon artworks. Instead I followed the idea of the bells, and choose this much longer, more demanding, more interesting phrase, that  I considered a greater challenge. I cannot turn away from my own test. If I consider doing an artwork a challenge, that pretty much guarantees that I will paint that image. I cannot help it, I know I need to push to be the artist I expect to be.

I must say that receiving feedback can be useful. The thoughts and suggestions from others, does offer me a different insight and perspective about this art.  Although, that is a little hard to say, at times the words from others are useful. It does not really change anything important,  for I know that it is a must for me to find my own artistic path, and not follow the wishes or trends of others. Still, a small amount of outside, unbiased exchange does more good than harm. I am mature which makes me smart enough to filter, never doubting nor forgetting, what makes me, is me, and not you.

Scott Von Holzen

S_V_H Vivaldi’s Four Seasons Summer Presto image2

summerPresto_2

Summer Presto from the Vivaldi Four Seasons series.  Composed of eight panels each thirty inches, this artwork reaches a length of twenty feet.  What you are seeing is the background completed, for now.  Blue dominates this artwork because  the theme of this movement, from the Summer concerto, is a  storm.  Along the edges I have created the forward and backward flow that appears in the clouds of an approaching storm. The narrow strips in the two wide bars of color is where much of the music will appear.  Then between the music I again have gone with another back-en-forth created from using two different patterns. This neutral area does then add interest, drama, and variety to the artwork.

Understand, this music is about a  summer storm, but I am in no way trying to physically depict a weather scene. Thousands of artists that can do that better than I would ever.  Instead, I am going for something less predictable, which I would think, can represent nature, but also shows the range of this artist’s style. If you stand far enough back, to take in the entire work,  you would see that it is the center area of this artwork that dominates this work. Those sections are there not to represent the storm theme, although, they strangely enough, work will with the rest of the background.  Their main purpose is to shake up this artwork,  challenging me, and the viewer to take this artwork beyond the music.

For now, this is it for this artwork. With the Holidays coming up I need to turn my attention to this years Christmas painting.  For 2014 I am painting A Big Red Sled, made popular by the band, The Killers. It is an interesting piece of music that I can relate to, and I find the music interesting.. Normally, my first thought about the Christmas artwork,  is to keep it simple and easy. I tried that with this music, but I could not do that which lead to the struggle to except that part of the music that was the most difficult. Next, I had difficulty finding a physical design for the music. Last night I thought I figured it all out, and prepped three larger canvases for the artwork. This morning I was looking at my earlier Christmas works, and the 2012, Let it Snow, made me change my mind.  I have now finished a new setup for this artwork that consists of smaller canvases, but more of them.  I have gone from three large flat canvases to six, with four to be attached on top of the background. As far has the look, I am seeing wide bands of gold with narrow silver strips for separation. That is about in for Big Red Sled, for now.

As for the Vivaldi I will work on it, here and there, over the next month, and post a new update in early January.

Scott von Holzen