S_V_H Take Five image 1

TakeFive1

Take Five, the classic music of Dave Brubeck. I originally, painted this work early in my music career, back in 2006. I have returned to it, to offer it as a second choice for the University of Wisconsin Marathon music department.  I first offered them Blue Rondo á La Turk last year, but because of a lack of room for such a large canvas there has been this long delay.  The hope of the Professor, back then,  was that some new remodeling would open up a wall, but that did not amount to as much change as first thought, and no good spot was found for the artwork.  So, when I recently received a new contact from the Music Department, apologizing for the placement delay, he asked if it would be possible for me to drop of the painting.  The Professor would keep it in his office, to help as a stimulus to update an area to accommodate the artwork. Over this last year, I have thought about the issues of finding wall space for large artworks.  So, what I have written back to the Music Department, is a new offer which will include this new Dave Brubeck work, that is a physically smaller artwork. The Professor will have the choice of either artwork.  My thinking is that the Take Five piece will be a lot easier to find a decent open wall for the artwork to hang.  But again, that will be the Professor’s choice.

I am working on the second image of Winter Allegro, with Take Five being worked on the side easels.   Nothing special going on with Take five, so far,  for I am still trying to get a feel for these canvases. I am keeping the look of Blue Rondo in my thoughts, for I thought that I might use a lot of the colors from that work, in this partner artwork.

Scott Von Holzen

S_V _H Vivaldi’s The Four Seasons – Winter Allegro Mvt 3 image1

WinterAllegro3Image2 Vivaldi’s Winter Allegro consists of  eight canvases that vary from 15 by 30 inches to 36 by 48 inches in size. This is the eleventh in the series of thirteen artworks of Vivaldi’s The Four Seasons. Again in these images I am not capturing the look of this work. They look flat in contrast and color.  You have to see this work in person  to believe this difference. Looking at this completed background what I see is what I am living in: the chill of winter. At 17 feet in length and three feet high, standing close to this work all that is missing is the chill in the air that makes each breath feel razor-sharp.  Standing near this work it is winter, no matter the season.

Up next is putting down the musical flow.  I will using three different blues not used so far: light Blue Permanent, Light Ultramarine blue, and Brilliant Blue, and for the edges I will be using Turquoise Deep.

atLastJan29th

I thought I would put this image in this post that I took to send to a potential customer.  This is the great At Last that I painted back in May of 2010.  Hopefully, it will find a home in California.

Scott Von Holzen

S_V _H Vivaldi’s The Four Seasons – Winter Allegro Mvt 3 image1

WinterAllegro3Image1

This is the eleven in the series of thirteen paintings picturing the musical works of four Antonio Vivaldi’s popular concertos: RV 269, RV 315, RV 293,  RV 297, which together make up The Four Seasons. This huge artwork, over 17 feet in length, was tough to photograph, but I needed to document the visual progress, and this first photo fulfills that need. Turning around and looking at the real artwork, it is much prettier in person, and already presenting a dramatic image.

In the photograph you are not seeing the contrast between the stripping and the background where I first spread a light gray layer.  Over that I then pulled across multiple thin layers of pure white.  I am using an image of pure white snow, in this artwork, for we have received plenty of that, lately. My challenge, with this work,  is to display this feeling of fresh snow cover across the entire seventeen feet of canvas that is Winter Allegro, creating diversity and multiple areas of interest.

Starting with a light gray background gives me the contrast to build up an image on white canvas.  Somehow I will use this same technique for the rest of the bare canvas, and besides using gray,  I will need to find ways to  add color in the background.  Lately, with my backgrounds I have used a lot of stripping for its musical effects and interest adding looks,  and that should work here by using cold blues mixed with a lot of white.  I have used so much white that I ran out of it, and had to pick up some locally, 40% off, of course.

The capturing of that winter feeling, for this artwork, is a lot easier to do while living in the season. Actually, I try to do that as much as I can with this series.  For example my last Vivaldi was the last movement of Autumn, and now I am, of course, working on the first movement of Winter.  When  I compete this work, next up will be the first movement of Spring, followed by the final artwork in this series, the third movement of Summer, sometime this summer.

Up next, I am turning around getting up from my computer, putting on my apron, and hopefully before nights end covering up the rest of the white canvas with white paint.

Scott Von Holzen