Category: 2015

S_V_H Embraceable You Final Image

Published on by Scott Von Holzen

embraceableYou_FinalEmbraceable you is finished. This painting comes from a Jazz Standard piece written  by George Gershwin in 1928.   This artwork consists of four canvas panels over sixty-four inches in length, and is larger than I had originally planed. What changed this artworks dimensions was my decision to add extra words, and then increase their size.  To make room for the larger font I needed to use larger canvases, which then required me to enlarge the music.

In the original plan I wanted to keep this artwork on the smaller size because of this music’s absence of drama (no slurs or ties, no flags, or beams), but my focus  changed from the music to the words to at least add some interest. That changed in direction created  a problem, absent if I would have used smaller canvases, of what to do with all that space between the music.  After a couple of, what I would consider,  tired attempts at stripping I realized I had nothing. That is when I turned to the painting, I Won’t Dance, a Jerome Kern Jazz Standard from the same time period as Embraceable you.  I Won’t Dance uses Art Deco treatments to mirror the times, and I thought a similar look might work with Embraceable.

IWontDance_Final

To start with I added narrow gold and blue striping across the entire work. That gave it the Art Deco look which did greatly improved the interest and the character of Embraceable.  I then repainted some of the original stripping to improve the contrast, and to blend better with the music.

I actually had to learn like this work. It fell out of favor early in its development, probably because of the changes I made to the original plan.  It got worse when I  questioned the colors used for the music.  I felt my color choices, chosen for their feminine look, where to close in tone which made the music appeared to have a plastic  look.  It was not until I added the Art Deco touches that I realized that the music worked fine with the new look of background.  In the final image you see how everything came together.

My feelings for this artwork have certainly changed a lot since I first chose this music.  I now think Embraceable You does achieved an interesting,  and unique look, that I like. This painting should feel very good about itself, getting out of me, what it needed.

 

Scott Von Holzen

 

 

 

 

 

S_V_H Have yourself a merry little Christmas Final image

Published on by Scott Von Holzen

haveMerryChristmas_FinalHave yourself a merry little Christmas is finished. This is the smallest Christmas painting,  14 by 36 inches in length, that I have done since starting this series in 2006.  The only word, together, comes from this lyric from the music, “Through the years we all will be together, If the fates allow”.

My original plan was to use the colors, white, green, blue, red, and gold. I achieved that goal although I would have liked my red acrylics colors to pop (the contrast creates motion) more like the blue in the music flow. I finally had to tint the reds which did helped.

I do not look at this or any of my artworks as my definitive painting. I would never think that, because I have this yet philosophy about being an artist. What that means is that I believe that I am there yet. I believe that there will always be something better I can do with the next artwork.  I do my best. I give each artwork the time it needs, and then I finish, and move on.  I believe there are better songs to paint.

This is an updated image.  After looking at the work for a couple of days,  I realized that it was not yet finished.  I felt I needed to Christmas this painting up a little. By brightening up the greens and adding some decorative stripping, this painting better represents, now, the mood of the Holidays.  Time for me to move on, this work is finished.

haveMerryChristmas_Finalb

 

Scott Von Holzen

 

 

S_V_H Heaven’s Wall Final Image

Published on by Scott Von Holzen

heaven_Final

Heaven’s Wall is finished. This little work, only 40 inches in length, turned out to be an experimental artwork where I changed up my style.   One new change occurred in the background where I added curved lines on each panel. I then shaded along those lines to blend out some of the stripping. This accomplished three things:  added motion to the background, broke up the stripping (a more musical look), and finally created overall a large amount of added interest.   This I followed up with another exercise in drip painting.  Although I answered some questions, and accomplished what I wanted to,   I still do not have consistent control, or a comfortable feeling towards dripping.

That first flow note on the left I manage to create a different look based on an earlier work, Fine and Mellow.  I like the use of the colors pink and green around that note,  Those colors where also used in the far right panel, which helps to unite the three canvases.

Heaven’s Wall is my first artwork that has a feel for Gospel music, although I probably would not say that this is a Gospel piece, more Rock than church choir,  the music certainly is up lifting and the words do have a Gospel message.  The decision to paint Heaven’s Wall came easy.  I was out walking, and wondering what I was going to paint next, when this song played in my headset.  I ignored the fact I had recently finished another Bruce Springsteen artwork, The Ghost of Tom Joad,  maybe because the timing of the music fit the time I was in at that moment of choice.

Tomorrow,  I will embed a video about this finished painting in this blog.  In that video I could say something which inspired me to create this painting, but I will probably not.  At this point my only thoughts are I am glad the project is over,  lets clean up,  and put together the next  artwork, to see if I can do better.

I start each artwork with lots of enthusiasm, purpose, thought, and dedication.  When finished  all that euphoria that went into the painting has all emptied out, in what you see in it.   The finished work is then left alone on the easel, waiting its turn to be slowly moved about, from here to there, until it finally finds its self stack, losing its identity,  one among  all the others.

Scott Von Holzen