An Artist’s music can live forever, but they don’t, and if touched by them, maybe this tweet says it best:
Thinking about how we mourn artists we’ve never met. We don’t cry because we knew them, we cry because they helped us know ourselves. — Juliette (@ElusiveJ)
Here is a beautiful tribute 2 Prince Rogers Nelson, by a co-worker and extreme fan, Shawn S.
I was and not I am even more focused on doing my best to make Purple Rain the painting a fine example of contemporary musical art. For What it’s Worth.
With this image you are seeing the music flow in place. Working with wood, and then attaching it to the canvas is a learn as you go experiment. For example, after gluing the music on to this canvas, I had to figure out how to carefully remove dried glued wood from fragile canvas.
In this work two of my I beams dropped out-of-place, and needed to be removed, and re-positioned. It was not until I applied heat from a hair dryer to these misguided sticks, that the damage to the painting dropped to almost nothing. I was lucky that the move, and the repairs worked, and the painting is back to original condition. All of these mistakes are well deserved, and paid in full by a self-taught artist that is pushing Musical painting to extremes.
I am aware that when I start each of these artworks, that when finished they all fall a little short, have minor flaws, or don’t quite meet my expectations, and yet that works for me. With each of these painting I start out with high expectations, and then slowly the artwork takes on almost human characteristics. May be a little of me moves into them. Anyway, when completed they become, a lot more real then perfect. Much more alive than, lets say, any Digital artwork. It is that human touch, that ends up in them, that makes each of these artworks a part of me, or what connects us. Each is an example that tells this artist that the best is yet to come.
Scott Von Holzen
aRT iN mUSIC 