S_V_H Vivaldi’s Four Seasons – Winter – Allegro image3

4SWinterAllegro3

Vivaldi’s The Four Seasons, Winter Allegro. This painting consists of 10 connected canvases for a length, just under 18 feet(5.48m).  The only objects left to add are the nine natural incidentals, which at this writing have all been drawn in, and are now being painted it.   To my surprise I am using different shades of green, which I will explain in the final image blog post.  Once done,  the entire focus of this artwork will move from construction to finishing.  This phase brings everything together,  to improve the appearance and to add contrast and interest.

I was a kid the grew up in the beginning of space exploration.  I remember having a cardboard mobile of the solar system hanging from my bedroom ceiling.  My favorite planet, to this day, is Saturn. Maybe, because it starts with an S, like in Scott, or maybe it was because of the rings. I never thought of becoming an astronaut, and the telescope I wanted for Christmas, never arrived.  My fascination of  going out there, however,  has never gone away.  Of course,  now I can afford to buy any telescope I wish, but I would not, because that moment has passed, and I am much to serious today, to feel the passion of first discovery,  which I would have felt way back then. That was an importunity, now lost.

That brings me to this artwork and those shaded circles you see in the above images.  First, in the image above on the right side, is an eighth note, which in music looks like this:eighth note

The part  that comes of the stem is the flag, but I now like to think of that part as a sail.   I see these notes as big helpers to push the music across the canvas, so in whatever form of a sail that works, I make the eighth notes a high point of interest.  So, that brings me back to those shaded circles that are all around these eighth notes.  To me they are bits of music. But unlike, the shaded circles that represent my vision of a musical notes, these other circles have actually nothing to do with the music.  They are there because, I put them there, to float and flow across the canvas.  They can represent pieces of music,  or maybe small  planets moving through  the vastness of space. I like to think they are both.

S_V_H Dave Brubeck Blue Rondo á la Turk Finalimage

BlueRondoFinal This is the Final Image of Blue Rondo á La Turk. These 8 canvases, that make up this work, contain a piece of the music, that when arranged, as you see in the images above, produce the flow that is Blue Rondo. This sectioning of the music gives me more creative options, enhancing the overall look and emotional impact to a greater extent than canvas based on one look.  Each piece can stand out, but still remain part of an even greater whole.  A universal theme, I do believe.

In the past the look of an artwork was fairly consistent even across multiple canvases.  For examples take a look at Thunder Road, Hallelujah, or Body and Soul, all from 2011.  This trend continued through 2012 with Four Seasons Autumn Allegro, completed in December and  pictured on the main page of the website.  This pieces  look of Blue Rondo first showed up in early march, of this year,  with The Pretender.  That trend showed its strength with 2012 Christmas painting, Let It Snow.

TakeFive

Take a look at the only other Dave Brubeck piece, Take Five,  from March of 2006, and you will see how far this art has changed. What a different 7 years can make.  According to the words of  Robert Frank, a photographer must have both a sense of Purpose and a sense of Passion. I cannot help but think that is the same philosophy that drives every creative person and what pushes this art. Everyday, I interact with people who have purpose but no passion, and regrettable that has become a learned and a reinforced behavior, in today’s disposable work place.

Scott Von Holzen

S_V_H Dave Brubeck Blue Rondo á la Turk image 3

BlueRondo3Blue Rondo á La Turk, near finished, image 3   This artwork now consists of eight canvases. The eighth canvas is the 8 x 10 inch on the bottom right side, of the enlarged image.  I forgot that there were two slurs  used in this music.  You can see the second one in the upper right of the above image. The style of is this slur comes from Cy Twombly used in It’s a Man’s World.  While the added slur reminds me of the outstanding one from Hallelujah

This close up shows how my style changed while working on this work.  That happened after I watched a documentary on Gerhard Richter that shows how he applies his paint using, squeegee like, large L shaped frames.

In many of my past works I have used different sizes of pallet knives to drag the paint.  But seeing the documentary on Richter gave me a fresh approach to how I could improve my method of applying paint with a knife.  I tried this style first on the eighth canvas on Blue Rondo. I found that by taping off those parts of the canvas I did not want to change, made it easier to spread the paint in a similar style of Richter.

Using this application method I have now moved on to the Vivaldi work. Here I saw dramatically that the big difference from Richter, for me, was the use of tape. By taping, I found that I could then show a mixed of styles.  You can see this technique, better applied on the Vivaldi work, in the images below, from Blue Rondo.  I have now created my L shaped tools to replace the pallet knives. Their application advantages, and their lack of size limits, along with the taping, makes me think there is some interesting options ahead for me.

BlueRondo3b

The following video I took with an iPhone.My Canon 7D  is in for repair with a power on issue. I did find the video, for some unknown issue,  impossible to edit using my Sony software, so I uploaded it as is.

I would like to present polished images and video on this blog, but the belief that this is a documentary site and not a vanity blog, gives me the leeway I need to actually keep up this effort. Even in this form this website requires hours of work for each blog entry.   I approach each of my artworks in a non compromising way each day, but that certainly does not extend to these pages. It is like I am writing on a deadline.

Scott Von Holzen