Tag: ART

S_V_H Blackbird image1

Published on by Scott Von Holzen

Blackbird 30 inches by 80 inches, 2 panels.  A hundred years from now, especially children, will be singing the music of the Beatles, not knowing who they once where.  Hopefully, Blackbird from their White Album, will be one of those standards that survive time.

This is the base after a couple of days of work, over the weekend.  The dark bands of color are not black, but Paynes Gray (a gray that is dark and bluish in color).  The starting guide for color choices,  was that of a Blackbird with it’s blue-indigo plumage, and purplish head.

Interestingly I did not know Neil Diamond covered Stagger Lee, the song Pop classic by Lloyd Price.

The two upper middle bands, one Mars Violet Deep above the other Red Iron Oxide, where chosen for their added  interest, contrast and earthy appearance.

Bridge Over Troubled Water –  Simon & Garfunkel

The next step is to draw in the music,  nudging it here and there in the effort to make it fit. That may become the issue, for there was the requirement of a wider canvas to cover the range of the music, but  there was also a resistance to add a third panel to better accommodate the flow of this music.   There is a chance that a middle panel may have to be added.

Ending this blog entry with Chopin Prelude #6 in B Minor, Op. 28/6

Scott Von Holzen

S_V_H The Christmas Song finalimage

Published on by Scott Von Holzen

The Christmas song Music Count is 175 plays dating from about November 18th to December 6th. Some of the favorites versions of The Christmas Song, in the order of most plays from over 20 different Artists:

Joe Williams
Nat King Cole
Mel Torme 3 versions  one specially enjoyed with Judy Garland
Nat King Cole & Natalie Cole
Diana Krall
Frank Sinatra
Also enjoyed where the voices of Ella Fitzgerald, Toni Braxton,  Christina Aquilera, and a surprisingly cover of The Christmas Song by Trace Adkins.

You would think that listening to the same words over and over again would strain the enjoyment of the music, but it does not.  It helps that there are a couple of instrumentals, for example by Glen Miller, but the song is just that good, and it lingers in the mind and heart.

This painting is clean looking and that fits well with the Christmas theme.  The feature of the round snow flakes works well helping to move the music across the canvas to where one flake dots the “i” on the word Christmas.  The far right Tie feature worked out well, and is part of the evolution of the last few paintings. The difference in this work is the softening of the tie to blend better with the rest of the canvas.  Of course, the use of  a number of iridescent colors,  including gold, silver, and  bronze, fits with Christmas.  All-in-all this may be the best of all the Christmas works, so far.  A larger version of this music will be uploaded to www.scottvonholzen.com over the weekend.

Next year’s music has been booked marked.  It is is another great classic Christmas song, sung by a group of outstanding Artists. The clue is that the word “Christmas,” is a part of the title.

Tonight a two panel 30 inches by 80 canvas is being prepped for the next artwork,………. Blackbird by the Beatles.

Scott Von Holzen  Listening to Nat King Cole – The Christmas Song

S_V_H The Christmas Song image3

Published on by Scott Von Holzen

The Christmas song 24 inches by 6 feet. This a a likable  work. Those oblong  green colored objects,  in the above image that make up the beams, are based on the mistletoe shape. That idea is from this line in the music, “Everybody knows a turkey and some mistletoe.”  No, there will be no turkey images or any realistic images.  This art is about color, shapes, and music, and not about fine details.

Listening to a favorite Something to Believe In – Poison,  followed by the wonderful All These Things That I’ve Done – The Killers.

In a effort to describe  an artworks progress the use of musical terms are used, like the word beam. This may help a few viewers, trained in music, to relate to the painting’s musical flow. In reality it probably does not make any difference to 99.95% of people what exactly they are looking at, and what this artwork represents.  Unlike a canvas of a landscape, a portrait,  a still life, and even an abstraction that fall into categories, this artwork is nothing less than E  or None of the above.  So, this artist’s thinking is that at first sight most people do not know what to think. Once they learn the work’s musical title, they may begin to see the musical flow as something other than an abstraction.  That they may have, or not have, a clue about a particular piece of music, or how that music is depicted may not be important to them. It is the viewers love of music that can redefine Category E into the artwork’s title, or in-other-words the hook.  Hopefully, this will pulled pull them in closer to investigate, to ask questions, and wonder.

Piano Man – Billy Joel

So to go from a likable wall covering to art could be in how good this artist is at musical interpretation: can he somehow paint what he feels? Can he make  a picture as unforgettable as the music it represents? Can he add that special feeling that reaches out to the viewer? Hum, all good questions for others to answer.

Bach – Sonata for Violin and Harpsichord, Adagio followed by the wow! of  Teddy The Toad – Count Basie

Concerto in G Minor for 2 Cellos, RV 531 a Vivaldi favorite.

Finishing this entry with Madonna – Heartbeat followed by The Cure – Lovesong.  Yum! Yum!

Scott Von Holzen