S_V_H Satisfaction image 2

satisfaction_2This image takes the original Black & White theme for this artwork, and look I have added all those colors.  I discussed before that when I think of this music I remember my life back than in mostly black and white.  Also, in the sixties, to be in tune with the times, I wore bell bottom  blue jeans, own a number of Navy pea coats, liked corduroy browns, and in general wore a lot of dull solid colors.  For those reasons, that is why I chose shades of gray to black to dominate this artwork, while using blues and browns for accent.  When I looked at the words for this artwork, without at first knowing the why, I knew I did not want to paint them in any dull colors or shade of gray.  I felt that none of those colors represented the lyrics of this music.  That is when I understood, what my feelings about this music,  where all about.

I remember the joy of listening to Satisfaction when it was new,  and sixty years later the Rolling Stones are still playing it. The words are still as exciting to sing today as they where when I was listening to them on AM radio,  in my best friend Tom’s Volkswagen Beetle, on a cold winter’s night as he drove us to the local dance bar, The Airway.  His car heater, barely kept us warm, and defrosted the windshield enough to see as long as we had our noses to the glass  But we did not care, for we where into music and into drinking a few beers on live band Wednesday.  That than was all what mattered.

Putting all of that into perspective,  I chose four of many Psychedelic colors, unknown to me back then, for the words because of their vibrancy and later dramatic effect on fashion. This artwork remembers, in its colors,  a distant music memory, that lives on today as one of music’s greatest, long-lasting Rock songs,  Satisfaction.

Scott Von Holzen

 

 

S_V_H Stairway to Heaven Final Image

stairway_finalIn this final image of Stairway to Heaven I have moved away from the video as my color guide. For the rest of the wood enhancement to this painting I decided to go with colors that work with the existing color theme. Late into every painting, including this one,  my goal is to bring the over all look of a painting into harmony, a double entendre of sight and hearing.

Here is my take on this painting: Times they are a Changin.’  This is not a large work in my Catalog,  but by the standards of most people of modest means, which have been my art sales clients,  have a  lot easier time finding wall space, and justifying the cost,  for a 36 inch artwork than they would one this size..  All galleries, that would consider hanging this painting, always have to deal with limited wall space. Their walls are already filled with art. To make room one for Stairway a gallery would need to remove at least two or more other artworks.  That is probably not going to happen unless my sales pitch is exceptional.  That is why I mentioned the 36 inch artwork limit which has these advantages over even this size work: faster to produce, lower price, and a lot easier to market and sell.  There are no trade offs by going small.  I give every artwork the same amount of care, ability, and creatively.  The main advantage in size is greater visual impact.

Looking at Stairway, I can see the size effect,  but I can also see that I could have used smaller canvases in an irregular shape.  Doing anything besides your standard artwork rectangle would have created a more dramatic visual look. That may then counter size impact, as long as the limited amount of open space on a small work is not overly busy or cluttered. I do not have this option in the unfinished artwork Satisfaction, but I do see me moving philosophically, to that 36 inch length, in the next project which is Please, Remember Me, sung my Tim McGraw, followed by When Doves Cry.

Scott Von Holzen

 

 

S_V_H Stairway to Heaven Image 2

stairway_2Stairway to Heaven, second image, you can see this work taking on its own unique character.  I took a close look at this video and saw some of the lighting they where using.  You can see this in a snippet I captured from the video:

stairwaysnippetI then went totally abstract and did a mix of related colors spread all over the straight shafts you see above.  I am not trying to be fancy and am attempting only to replicated some of the colors of this video and their chaotic movements, such as, a blurry Robert Plant.

This is again the link to the video that the coloring for this artwork originates:

My words for this video “We all Know,” offer, what I always try to accomplish, multiple meanings for the viewer.  As part of this art since the beginnings their placement has been slowly changing. That is another discussion, but now words have no exact location, only a place in harmony with the Artwork.  That change in thinking is helping the Art of the Artwork to evolve from the restraints of the music.  Someday the Music will only be the starting point:   One day One that comes from One finally will be Two.

Scott Von Holzen